Garanča glows in The Met's Damnation de Faust

Por Cameron Kelsall, 26 enero 2020

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“Gardner drew much gorgeous coloring, bringing out the drama embedded in the music”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 25 enero 2020

Berlioz, La Damnation de Faust (Concert performance)

Metropolitan Opera

Edward Gardner, Dirección

Robert Lepage, Dirección de escena

Carl Fillion, Diseño de escena

Karin Erskine, Diseño de vestuario

Bryan Hymel, Faust

Ildar Abdrazakov, Méphistophélès

Elīna Garanča, Marguerite

Patrick Carfizzi, Brander

Neilson Vignola, Associate Director

Sonoyo Nishikawa, Diseño de iluminación

Holger Förterer, Video Designer

Johanne Madore, Coreografía

Alain Gauthier, Coreografía

The Metropolitan Opera Chorus

The Metropolitan Opera Orchestra

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.