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BarcelonaAida

Verdi: Aida
Antonello Manacorda; Shirin Neshat; Gran Teatre del Liceu; Josep Gil; Christian Schmidt; Tatyana van Walsum; Felice Ross
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Une céleste Aïda dans la fosse de l'Opéra Bastille

L'opéra de Verdi en est à sa troisième nouvelle production en douze ans dans la Grande Boutique, pour un succès – une fois encore – avant tout musical…
Dutch National Ballet is on solid ground with season opener Monument

Dutch National Ballet's triple bill, Monument, is a statement on Dutch artistry and ideology.
Polish National Ballet’s Prometheus: dance on a monumental scale

In Prometheus, Krzysztof Pastor has created an epic full-length ballet for his company which serves to show-off a roster of powerful principal roles as well as a fine ensemble.
Lacking passion: Ballett am Rhein presents A Kiss to the World

Dominique Dumais ultimately seeks to address how humans long for contact and closeness, and explore the different meanings there can be behind a kiss.
Kunstinstallation mit Sängerbeteiligung: Aida in Salzburg

Shirin Neshats Inszenierung bleibt trotz Überarbeitung und einem grundsätzlich interessanten Konzept problematisch; musikalisch stimmt an diesem Abend dafür (fast) alles.
Stealing fire: Beethoven's Prometheus choreographed afresh at DNB
Salvatore Viganò's choreography for Beethoven's 1801 ballet Prometheus has not survived, but a trio of creators put their own stamp on the score in Amsterdam.
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ParísAida

Verdi: Aida
Michele Mariotti; Shirin Neshat; Opéra national de Paris; Christian Schmidt; Tatyana van Walsum; Felice Ross; Orchestre de l'Opéra national de Paris
