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BarcelonaAida

Verdi: Aida
Antonello Manacorda; Shirin Neshat; Gran Teatre del Liceu; Josep Gil; Christian Schmidt; Tatyana van Walsum; Felice Ross
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Dutch National Ballet is on solid ground with season opener Monument

Dutch National Ballet's triple bill, Monument, is a statement on Dutch artistry and ideology.
Polish National Ballet’s Prometheus: dance on a monumental scale

In Prometheus, Krzysztof Pastor has created an epic full-length ballet for his company which serves to show-off a roster of powerful principal roles as well as a fine ensemble.
Lacking passion: Ballett am Rhein presents A Kiss to the World

Dominique Dumais ultimately seeks to address how humans long for contact and closeness, and explore the different meanings there can be behind a kiss.
Stealing fire: Beethoven's Prometheus choreographed afresh at DNB
Salvatore Viganò's choreography for Beethoven's 1801 ballet Prometheus has not survived, but a trio of creators put their own stamp on the score in Amsterdam.
A radical take on Romeo and Juliet at Polish National Ballet
Prokofiev's score is reordered, the choreography is contemporary, characters are missing, and each of the three main scenes is set during a different 20th-century time period... yet, to a certain extent, it works.
Arqués fiery Ignite captures the attention at Dutch National Ballet
Anna Tsygankova is clearly enjoying her part in Forsythe's Pas/Parts 2018, an exposé of the vocabulary of modern ballet.
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ParisAida

Verdi: Aida
Michele Mariotti; Shirin Neshat; Opéra national de Paris; Christian Schmidt; Tatyana van Walsum; Felice Ross; Orchestre de l'Opéra national de Paris
