Moving and provocative work from A.I.M by Kyle Abraham

A.I.M by Kyle Abraham in his If We Were a Love Song

A.I.M by Kyle Abraham in Keerati Jinakunwiphat's Some Day Soon

Jamaal Bowman in Someday Soon by Keerati Jinakunwiphat

Por Carla Escoda, 09 abril 2024

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“pressed foreheads together, presaging an epic battle, their faces contorted in silent screams”

Crítica hecha desde Performing Arts Center, Purchase el 6 abril 2024

Someday Soon (Keerati Jinakunwiphat)

If We Were a Love Song (Kyle Abraham)

Shell of a Shell of the Shell (Rena Butler)

A.I.M by Kyle Abraham

Pop goes postmodern: Kyle Abraham's Cassette Vol. 1 in New York

Carla Escoda, 16th April

A.I.M by Kyle Abraham with guest artist Taylor Stanley bring a postmodern vibe to an early MTV-era playlist. One of the most bewitching things you're likely to encounter this year.

*****

Falling for Kyle Abraham, again, at New York City Ballet

Carla Escoda, 16th May

When We Fell, Kyle Abraham’s bracing new piece for NYCB, made a minimalist statement on a maximalist quadruple bill, also notable for stunning ensemble work in Alexei Ratmansky's Odesa.

****1

Abraham's 2x4 is a bright spot in an uneven program

Ivy Lin, 22nd April

A.I.M by Kyle Abraham at the Joyce Theater proved to be a mixed offering with his own piece, 2x4, coming off best.

***11

Kyle Abraham’s An Untitled Love: a stunning piece of dance theatre

Amanda Jennings, 29th January

An Untitled Love is a brilliant piece of theatre centred on inventive, creative dance that enthrals and amuses whilst conveying several serious messages.

*****

Encounters: The Royal Ballet at its versatile best

Amanda Jennings, 22nd October

In a quadruple bill of contemporary works, The Royal Ballet's dancers shine in this diverse programme, creating an immersive experience.

****1

American Ballet Theatre: Kyle Abraham's Mercurial Son disappoints

Ivy Lin, 16th October

Bond’s La Boutique was delightful, Abraham’s Mercurial Son, a little disappointing but Lander's Études sent the audience home happy.

****1

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Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.