Susanna Mälkki's “Akademie Modern” in Berlin

Por Sam Johnstone, 23 junio 2016

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“Messagesquisse... an extraordinary study of the instrument’s resonance”

Crítica hecha desde Philharmonie: Kammermusiksaal, Berlín el 20 junio 2016

Stockhausen, Zeitmaße

Boulez, Dérive 1

Boulez, Messagesquisse, for solo cello & 6 cellos

Jarrell, Cassandre

Orchestra Academy of the Berliner Philharmoniker

Susanna Mälkki, Dirección

Fanny Ardant, Voz

Bruno Delepelaire, Violonchelo

Nothing false about La finta giardiniera in Baden-Baden

Jonathan Sutherland, 25th March

Christian Carsten’s hilarious production of Die Gärtnerin aus Liebe reveals Mozart’s non-judgmental social satire and irrepressible sense of fun.

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La excelsa tríada Davidsen-Hilley-Mälkki salva a Tristan und Isolde

Maria Sánchez, 12th January

Un estreno fuertemente desequilibrado; con altas posibilidades de haberse convertido en una de las representaciones históricas del teatro, la contraposición entre dramaturgia y música lo impidió.

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Triunfar y no morir en el intento. Grandísimo Il trittico en el Liceu

Maria Sánchez, 27th November

Redonda, versátil y monumental es esta producción pucciniana de la mano de Lotte de Beer y Susanna Mälkki, cerrando un año operístico en el Liceu que se recordará.

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Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Musical tributes to Festival d’Aix as it wins Birgit Nilsson Prize

Peter Quantrill, 21st October

Pierre Audi is remembered in words and music as the Festival d’Aix-en-Provence receives $1m – the richest prize in classical music – at Stockholm’s Konserthuset.

Wenn Warten zur Webart wird: Faurés Pénélope in München

Michael Vieth, 23rd July

Ein Ehepaar treu über 20 Jahre Trennung: Andrea Breth und Susanne Mälkki machen aus dem antiken Pénélope-Stoff ein bewegendes modernes Märchen.

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Sam Johnstone

Sam Johnstone is a musician and writer based in Berlin. He has written on classical, contemporary and world music for Sinfini Music, The Cusp and World Music Network, and about the influence of the avant-garde on contemporary music in Germany and Japan whilst studying at Oxford University and SOAS, University of London. Sam blogs at www.spljohnstone.com and tweets at @spljohnstone