Handel’s Arminio: a Rhineland rebel firing Baroque blanks

Gabrielė Kupšytė (Arminio) and Sarah Dufresne (Tusnelda)

Sarah Dufresne (Tusnelda)

Kamilla Dunstan (Ramise), Isabelle Peters (Sigismondo) and Sarah Dufresne (Tusnelda)

Gabrielė Kupšytė (Arminio)

Por Mark Pullinger, 21 abril 2023

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“Gabrielė Kupšytė’s amber-tinted mezzo impressed in the title role”

Crítica hecha desde Royal Opera House: Linbury Theatre, Londres el 20 abril 2023

Handel, Arminio

The Royal Opera

André Callegaro, Dirección

Mathilda du Tillieul McNicol, Dirección de escena

Noemi Daboczi, Diseño de escena, Diseño de vestuario

DM Wood, Diseño de iluminación

Early Opera Company Orchestra

Gabrielė Kupšytė, Arminio

Sarah Dufresne, Tusnelda

Josef Jeongmeen Ahn, Segeste

Michael Gibson, Varo

Isabelle Peters, Sigismondo

Kamilla Dunstan, Ramise

Kamohelo Tsotetsi, Tullio

Peter Grimes drops anchor again at The Royal Opera

Christopher Woodley, 5th May

Allan Clayton and Sir Bryn Terfel lead a strong cast in a revival of Deborah Warner's dark staging of Britten's signature work at Covent Garden.

****1

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Eleanor Knight, 1st May

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****1

The Turn of the Screw at RBO Linbury: Darkness and denial

Eleanor Knight, 26th March

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

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Dominic Lowe, 25th March

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

****1

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

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Mark Pullinger, 29th January

The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight.

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.