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Performer: Gabrielė Kupšytė

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VilniusLes Contes d'Hoffmann (The Tales of Hoffmann)

© Ana Andrianova
Offenbach: Les Contes d'Hoffmann (The Tales of Hoffmann)
Martynas Stakionis; Federico Grazzini; Lithuanian National Opera; Andrea Belli; Valeria Donata Bettella; Giuseppe di Iorio; Lithuanian National Opera Orchestra
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Michieletto directs an excellent new Carmen at Covent Garden

Aigul Akhmetshina (Carmen) © ROH | Camilla Greenwell
Aigul Akhmetshina is outstanding in the title role, hearing Piotr Beczała is a privilege, but it's Damiano Michieletto's new staging that takes the honours.
****1
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Pappano and Loy bring empathy to Elektra at Covent Garden

Nina Stemme (Elektra) © ROH | Tristram Kenton
Christof Loy’s thoughtful staging enlightens the character of the protagonists in Sophocles’ tale of matricide; Sir Antonio Pappano extracts great nuance and beauty from Strauss’ score.
****1
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Seeing double: Iolanta and The Nutcracker reunited

Vasily Petrenko © Andy Paradise
Tchaikovsky's final opera and ballet were always intended to be paired; at the Royal Albert Hall Petrenko and the RPO present them together in a rewarding double-bill, marred by microphones.
***11
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Jonas Kaufmann ails, Covent Garden hails Aigul Akhmetshina

Aigul Akhmetshina (Charlotte) and Jonas Kaufmann (Werther) © ROH | Bill Cooper
The star tenor is clearly under the weather, but the young house-favourite mezzo shines in an impressive role debut in a revival of Benoît Jacquot's cinematic staging. 
****1
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Barton’s Azucena drags Trovatore from the flames

Roberto Tagliavini (Ferrando) and Jamie Barton (Azucena) © ROH | Camilla Greenwell
Adele Thomas’ Royal Opera staging channels the Marx Brothers in playing it for laughs, but the musical compensations are many under Sir Antonio Pappano.
***11
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Handel’s Arminio: a Rhineland rebel firing Baroque blanks

Gabrielė Kupšytė (Arminio) and Sarah Dufresne (Tusnelda) © ROH | Marc Brenner
The Royal Opera presents another Handel rarity for its Jette Parker Artists in the Linbury Theatre, the but action thriller approach is ill-suited to the ancient tale. 
**111
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