Thamar and Scheherazade

Por Margaret Willis, 16 abril 2011

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Crítica hecha desde The London Coliseum, Londres el 14 abril 2011

The Blue God (Mikhail Fokine)

El pájaro de fuego (Mikhail Fokine)

Nikolai Tsiskaridze, Blue God

Ilze Liepa, Goddess of the Lotus

Irma Nioradze, Bailarín

St Petersburg Academic Symphony Orchestra

Alexander Titov, Dirección

Las Sílfides, Celeste y Carmen bajo el mismo techo

Eduardo López-Collazo, 23rd September

Las Sílfides, Celeste y Carmen se juntaron bajo el mismo techo para deleite de quienes aman este arte y pocas veces pueden apreciar estilos diferentes con los mismos protagonistas.

****1

American Ballet Theatre's legacy works: vintage or dated?

Ivy Lin, 17th October

An uplifting triple bill by American Ballet Theatre with three contrasting ballets. Especially entertaining were Tudor's Gala Performance and Agnes de Mille's Rodeo.

****1

A Diaghilev celebration from BRB2

Mark Pullinger, 6th May

Carlos Acosta devises a programme of Ballets Russes highlights to celebrate Serge Diaghilev and to showcase the young dancers of Birmingham Royal Ballet’s junior company, BRB2.

****1

National Ballet of Japan’s new triple bill is full of bold challenges

Naomi Mori, 15th March

While National Ballet of Japan’s latest triple bill presents many challenges, one hopes these valuable masterpieces will be revived, enabling the company to develop its virtuosity and artistry.

****1

Ballet Nights: an intimate evening with star quality

Deborah Weiss, 29th September

Ballet Nights offers a wonderful variety of dancing and genres. Whatever your preference, there are quality performances to enjoy.

***11

BRB2 in Carlos Acosta's Classical Selection is full of vitality

Graham Watts, 25th April

With five founding dancers in BRB2, this inaugural dance salad was embellished with other ingredients including the addition of seven members from the main company.

****1

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Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.