History in the making: Bangarra's 30 years of sixty five thousand

Por Chantal Nguyen, 16 junio 2019

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“their dances are contemporary works embodying the living spirit of millennia of dance wisdom”

Crítica hecha desde Drama Theatre, Sydney Opera House, Sídney el 14 junio 2019

Unaipon (Frances Rings)

Stamping Ground (Jiří Kylián)

to make fire (Stephen Page)

Bangarra

Un trío de ases para una noche de danza: Galili, Kylián y Duato

Eduardo López-Collazo, 30th May

Por vos muero tiene más de veinte años, pero no ha envejecido porque lo bueno nunca sufre los avatares del tiempo.

****1

Avant-Garde: an eclectic triple bill in Prague

Elsa Giovanna Simonetti, 15th March

A tremendous triple bill comprising Jiří Kylián's 27’52” and two new works by Robert Bondara and Marco Goecke. The programme unfolds as a meditation on transience, instability and the unpredictability of human life.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Strength to strength: NDT 1’s Resonance feels like a victory lap

Mark Vicente, 10th December

A triumphant evening showcasing the breadth and depth of NDT’s artistic intellect, and their dazzling versatility across various choreographic landscapes.

*****

Dutch National Ballet's Program B is the A+ Program in New York

Ivy Lin, 21st November

Dutch National Ballet's second mixed bill at New York City Center ticked all the right boxes, showcasing the depth of talent across the whole company.

*****

Petite Mort is a cut above in second Kylián celebration

Vikki Jane Vile, 31st May

The second programme of Norwegian National Ballet's Kylián festival, Day After Yesterday, features four older works, including Petite Mort and No More Play which are unquestionably highlights of his expansive repertoire.

***11

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Chantal Nguyen

Chantal has a background in ballet and contemporary dance, and was the first Australian to complete the International Baccalaureate Diploma Programme in Higher Level Dance. She has completed violin studies, and plays regularly in Sydney ensembles. She also dabbles in folk songs and subversive musical parody.

History, presence, and history in the making: Bangarra's 30 years of sixty five thousand