Tanztheater Wuppertal bring Bluebeard to London

Por Graham Watts, 15 febrero 2020

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“the perpetual activity of the two principals is exhausting just to watch”

Crítica hecha desde Sadler's Wells Theatre, Londres el 12 febrero 2020

Bluebeard. While Listening to a Tape Recording of Béla Bartók’s Opera “Duke Bluebeard’s Castle” (Pina Bausch)

Tanztheater Wuppertal

Christopher Tandy, Bailarín

Silvia Farias Heredia, Bailarín

Daria Pavlenko, Bailarín

Persistente: la triple función del ENB celebra las coreógrafas

Mark Pullinger, 4th April

She Persisted es la continuación de la propuesta del ENB She Said, una función triple con las creaciones de Annabelle López Ochoa, Stina Quagebeur y Pina Bausch.

*****

Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality

Graham Watts, 7th April

A reimagining of Pina Bausch's 1978 Kontakthof by Meryl Tankard brings together eight of the original cast members in a unique and poignant revival.

*****

Sweet Mambo: charismatic masters of Pina Bausch at Sadler’s Wells

Graham Watts, 12th February

Sweet Mambo was one of those rare evenings that felt very special, unique in the sense of watching history revisited in the present day.

****1

Rites in Antwerp: a towering triple bill for Opera Ballet Vlaanderen

Elsa Giovanna Simonetti, 17th January

In Rites, Opera Ballet Vlaanderen confirm its status as a leading contemporary dance company with a formidable triple bill, technically demanding for both dancers and orchestra.

****1

L'intimité de Joséphine Baker et la puissance du Sacre au TCE

Iris Régnier, 24th September

En associant Joséphine Baker dans un solo de Germaine Acogny et Pina Bausch avec son mythique Sacre du printemps, le TCE rend hommage à son histoire et à deux grandes artistes.

***11

Pina Bausch sans filtre : Vollmond au Théâtre de la Ville

Julie Jozwiak, 13th May

Les émotions priment et l’excès est roi dans ce Songe d'une nuit d'été façon Pina, magnifiquement incarné par les interprètes de sa compagnie.

****1

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Graham Watts

Graham Watts is a freelance dance writer and critic writing regularly for Dancing Times, Dance Europe, Danza Europa, and many more publications. He regularly writes features for Sadler’s Wells, London Coliseum and La Scala. Chairman of the Dance Section of the Critics’ Circle in the United Kingdom and of the UK National Dance Awards he has interviewed many of the greatest names in dance including Maya Plisetskaya, Vladimir Vasiliev, Boris Eifman, Alexei Ratmansky, Andris Liepa, Sir Peter Wright, David Bintley and Dame Gillian Lynne. When not involved in dance Graham is a keen fencer, and has captained the British Sabre team.

Vulnerability, brutality and emptiness: Tanztheater Wuppertal bring Bausch's Bluebeard to London