Damiano Michieletto's La bohème 2.0 in Budapest

Por Olga de Kort, 03 marzo 2016

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“Attention, please, 2.0: a new format, a new look, a new version”

Crítica hecha desde Erkel Színház (Erkel Theatre), Budapest el 26 febrero 2016

Puccini, La bohème

Hungarian State Opera

János Kovács, Dirección

Damiano Michieletto, Dirección de escena

Paolo Fantin, Diseño de escena

Carla Teti, Diseño de vestuario

Orsolya Sáfár, Mimì

Ildikó Szakács, Musetta

Gergely Boncsér, Rodolfo

Zsolt Haja, Marcello

Zoltan Nagy, Schaunard

András Kiss, Colline

Lajos Geiger, Alcindoro

Gábor Gárday, Benoît

László Beöthy-Kiss, Parpignol

Budapest Philharmonic Orchestra

Hungarian State Opera Chorus

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Olga de Kort

Musicologist and music critic Olga de Kort (The Netherlands) studied in Russia (piano, culture sciences), France (journalism) and the Netherlands (musicology and music history, music education and communication, organ) where she has lived from 1998. She is active as a music journalist, lecturer in music history and culture and as a freelance musician. She writes for Piano Bulletin, Pianist, Luister, Preludium, De Klank, Het Orgel, Muziek&Liturgie, Kunstzone and Bachtrack. Besides her personal journalist blog, Olga de Kort has a website about Russian music in the Netherlands. At this moment she is working on a book about Russian music and musicians in the Netherlands and on a biography of Russian singer Anna El Tour.

Damiano Michieletto's La bohème 2.0 in Budapest: dramatically convincing