Damiano Michieletto's La bohème 2.0 in Budapest

Von Olga de Kort, 03 März 2016

Laden, bitte warten...

Veranstaltung anzeigen

“Attention, please, 2.0: a new format, a new look, a new version”

Rezensierte Veranstaltung: Erkel Színház (Erkel Theatre), Budapest, am 26 Februar 2016

Puccini, La bohème

Hungarian State Opera

János Kovács, Musikalische Leitung

Damiano Michieletto, Regie

Paolo Fantin, Bühnenbild

Carla Teti, Kostüme

Orsolya Sáfár, Mimì

Ildikó Szakács, Musetta

Gergely Boncsér, Rodolfo

Zsolt Haja, Marcello

Zoltan Nagy, Schaunard

András Kiss, Colline

Lajos Geiger, Alcindoro

Gábor Gárday, Benoît

László Beöthy-Kiss, Parpignol

Budapest Philharmonic Orchestra

Hungarian State Opera Chorus

Ambrogio Maestri gibt Budapester Falstaff Auftrieb

David Karlin, 22nd May

Der große Mann im Fettanzug dominiert die Show und gibt dem Falstaff der Ungarischen Staatsoper Elan und Lebensfreude.

****1

Glänzende Turandot an der Ungarischen Staatsoper

Jenny Camilleri, 30th January

Aufregend dirigiert und überwiegend gut gesungen sollte diese üppige aber schnörkellose Turandot sowohl Traditionalisten und abenteuerlustige Operngänger erfreuen.

***11

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

Weitere Kritiken...

Olga de Kort

Musicologist and music critic Olga de Kort (The Netherlands) studied in Russia (piano, culture sciences), France (journalism) and the Netherlands (musicology and music history, music education and communication, organ) where she has lived from 1998. She is active as a music journalist, lecturer in music history and culture and as a freelance musician. She writes for Piano Bulletin, Pianist, Luister, Preludium, De Klank, Het Orgel, Muziek&Liturgie, Kunstzone and Bachtrack. Besides her personal journalist blog, Olga de Kort has a website about Russian music in the Netherlands. At this moment she is working on a book about Russian music and musicians in the Netherlands and on a biography of Russian singer Anna El Tour.

Damiano Michieletto's La bohème 2.0 in Budapest: dramatically convincing