The Czech Philharmonic thrills in an evening of Dvořák in Antwerp

Semyon Bychkov

Czech Philharmonic

Bertrand Chamayou

Por Marc Haegeman, 22 marzo 2024

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“tightly held together by a seamless exchange of give and take”

Crítica hecha desde Queen Elisabeth Hall, Amberes el 21 marzo 2024

Dvořák, Obertura "Carnaval", op. 92

Dvořák, Concierto para piano en sol menor, op. 33

Dvořák, Sinfonía núm. 9 en mi menor, "Del Nuevo Mundo" op. 95

Bertrand Chamayou, Piano

Semyon Bychkov, Dirección

Czech Philharmonic

Monográfico de Dvořák con un Hadelich espléndido

Jorge Baeza Stanicic, 6th March

Smyon Bychkov lideró con exquisito gusto un programa dedicado Antonín Dvořák en el que destacó especialmente la maestría y mganífico sonido del violinista Agustin Hadelich.

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La atávica espiritualidad de Janáček inunda el Palacio de Festivales

Pablo Sánchez Quinteiro, 29th August

El Festival Internacional de Santander cierra con un intenso e idiomático viaje por obras de compositores checos a cargo de la Czech Philharmonic.

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Un viaje desde la oscuridad a la luz con Semyon Bychkov

Pablo Sánchez Quinteiro, 28th August

Semyon Bychkov ofreció una impactante Sinfonía núm. 7 de Mahler al frente de la Czech Philharmonic en una interpretación reveladora de las dificultades de la obra.

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The singing cellist: Truls Mørk and the Czech Phil

Laura Furones, 17th February

Truls Mørk marvels with Dvořák's cello concerto in an evening that saw the Czech Philharmonic go from strength to strength in the hands of Jiří Bělohlávek.

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La Filarmónica Checa arranca en Alicante su gira española

Xavier Mas i Sempere, 15th February

La Orquesta Filarmónica Checa ofrece un concierto desigual. El sinfonismo de Richard Strauss fue la espoleta que hizo reaccionar a un público discretamente ensoñado.

***11

A heartfelt reunion with the Czech Philharmonic in Prague

Frank Kuznik, 19th March

A stellar soloist and deft work by Semyon Bychkov put a fresh spin on familiar fare in the Rudolfinum.

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Marc Haegeman

Marc Haegeman graduated as a historian from the University of Ghent. He developed a keen interest in music, ballet, photography and nature. As a dance writer and photographer he contributed to leading dance magazines in the last 20 years, including The Dancing Times, Dance International and Ballet2000, and has been working with companies worldwide. His classical music reviews appeared in Classical Net and on his blog I used mostly my ears. He is particularly interested in Russian music and the piano. When free, he loves spending time in nature, photographing landscapes and wildlife.