Bachtrack logo
Programación
Todos los eventosConciertosÓperaDanzaNiñosClases magistralesConcursosFestivales
Críticas
Todas las críticasConciertosÓperaDanza
Artículos
Todos los articulosDossieresEntrevistasOpiniónPlaylist
Noticias
Video
HomeTodos los vídeosEventos en directoConciertosÓperaDanzaNiñosClases magistralesEditores
Site
Acerca de nosotrosContacte con nostrosEnlacesCondiciones de usoCookiesPolitica de la privacidad
Jóvenes artistas
Viajes
EventosCríticasArtículosVideo

The most wonderful time of the year? A Christmas Cav & Pag in Oslo

Por Aksel Tollåli, 19 diciembre 2016
Descargando, espere, por favor...
Ver la programación
“Marita Sølberg’s Nedda sounded radiant throughout her range, with a creamy middle and thrilling top”
Crítica hecha desde Oslo Opera House, Main Stage, Oslo el 17 diciembre 2016
Programa
Mascagni, Cavalleria rusticana
Leoncavallo, Pagliacci
Intérpretes
Norwegian National Opera
Antonino Fogliani, Dirección
Kasper Holten, Dirección de escena
Lise Davidsen, Santuzza
Vera Talerko, Lola
Ingebjørg Kosmo, Mamma Lucia
Henrik Engelsviken, Turiddu
Nikoloz Lagvilava, Alfio
Marita Sølberg, Nedda
Mikhail Gubsky, Canio
Yngve André Søberg, Tonio
Thorbjørn Gulbrandsøy, Beppe
Rodion Pogossov, Silvio
Paul Curran, Dirección de escena
Más críticas de Ópera
Wayne McGregor’s Jocasta’s Line offers powerful performances
Maggie Foyer, 13th September
A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.
****1
Alone and in love: Christoph Loy’s compelling new Onegin in Oslo
Aksel Tollåli, 15th February
Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.
****1
Too many doors: Don Giovanni in Oslo
Aksel Tollåli, 29th May
Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.
***11
Maybe it’s make-believe: a curious Norma in Oslo
Aksel Tollåli, 20th January
The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.
**111
Into the abyss: a harrowing Wozzeck in Oslo
Aksel Tollåli, 25th November
Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.
*****
An underwhelming Barber in Oslo
Aksel Tollåli, 14th October
François de Carpentries' Oslo production of The Barber of Seville was both unfunny and underwhelming. 
**111
Más críticas...
Leer críticas de
Antonino FoglianiCavalleria rusticanaHenrik EngelsvikenIngebjørg KosmoKasper HoltenLise DavidsenMarita SølbergMikhail GubskyNikoloz LagvilavaNorwegian National OperaPagliacciPaul CurranPietro MascagniRodion PogossovRuggero LeoncavalloThorbjørn GulbrandsøyVera TalerkoYngve André Søberg
Artículos relacionados
Loading image...
Maria por Angelina: Pablo Larraín habla sobre el biopic de Callas
Loading image...
Critics’ Choice 2023: ¿Quiénes son los mejores directores y orquestas del mundo?
Loading image...
Arriba el telón: Lisette Oropesa habla sobre "La traviata" con distancia social
Loading image...
Llevarse al público de viaje: Jonas Kaufmann sobre el repertorio, la salud de la voz y enamorarse de la ópera
Aksel Tollåli
Aksel Tollåli
Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.