Emanuel Ax dazzles in Schubert and Chopin

Por Sarah Batschelet, 06 noviembre 2016

Descargando, espere, por favor...

Ver la programación

“Ax’s tempo at the start came close to defying gravity”

Crítica hecha desde Druckerei Baden, Baden el 4 noviembre 2016

Schubert, Cuatro impromputs, D.935

Chopin, Fantasía-Impromptu en do sostenido menor, op. 66

Chopin, Impromptu en la bemol mayor, op. 29

Chopin, Impromptu en fa sostenido mayor, op. 36

Chopin, Impromptu en sol bemol mayor, op. 51

Schubert, Tres piezas para piano, D.946

Chopin, Sonata para piano núm. 3 en si menor, op. 58

Emanuel Ax, Piano

Haitink, Ax y la LSO: perderse en la aventura conocida

Ramón del Buey Cañas, 23rd October

Arranca la temporada XLVIII de Ibermúsica y uno se encamina al Auditorio Nacional con el convencimiento de que asistirá a un concierto prácticamente infalible. Igual que leer el Tristam Shandy o ver Casablanca: el trance tiene aroma de ritual.

*****

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Matthias Pintscher: a triple threat comes to Disney Hall

Néstor Castiglione, 13th November

Los Angeles Philharmonic audiences got a taste of Pintscher as conductor, concerto partner, and composer.

*****

Worthy world premiere of John Williams’ Piano Concerto at Tanglewood

Kevin Wells, 26th July

John Williams' new concerto evokes the spirit of jazz virtuosos, paying tribute to Art Tatum, Bill Evans and Oscar Peterson.

****1

Emanuel Ax et Nathalie Stutzmann de l'intime aux grands espaces

Pierre Michel, 20th March

Le pianiste étatsunien a livré un Concerto pour piano n° 4 de Beethoven sobre et concentré, avant que la cheffe ne déchaîne les forces de l'Orchestre de Paris dans Wagner.

****1

New beginnings: Michael Tilson Thomas opens NY Phil season with Mahler

Kevin W Ng, 12th September

Michael Tilson Thomas' energy and wisdom remain undimmed in the New York Philharmonic's season opener.

*****

Más críticas...

Sarah Batschelet

Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.

Hold the front page! Emanuel Ax dazzles at the site of Baden's former printing press