Prom 34: Juanjo Mena bids farewell to BBC Philharmonic

Por Mark Thomas, 09 agosto 2018

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“This was seven minutes of heart-pumping fervour”

Crítica hecha desde Royal Albert Hall, Londres el 8 agosto 2018

Walton, Overture ‘Portsmouth Point’

Copland, Connotations

Britten, Les illuminations

Barber, Two Scenes from ‘Antony and Cleopatra’

Britten, Four Sea Interludes from ‘Peter Grimes’

Sally Matthews, Soprano

BBC Philharmonic Orchestra

Juanjo Mena, Dirección

Triunfal comienzo del Festival Internacional de Música de Canarias

Francisco Martínez Ramos, 13th January

Gran comienzo del 39 Festival Internacional de Música de Canarias, que contó con la Filarmónica de la BBC bajo la dirección de Juanjo Mena y con la violinista Clara-Jumi Kang como solista.

*****

Mena y la BBC Phil inauguran el Festival de Santander

Ramón del Buey Cañas, 5th August

Con el empaste orgánico y la complicidad construida concierto a concierto desde 2011, el tándem BBC-Mena vibró, bailó y estremeció. El torrente sonoro cuidó hasta el menor recoveco de pentagrama, cuajando el mejor de los augurios para lo que resta de festival.

****1

Wagner and Strauss from Sarah Wegener and the BBC Philharmonic

Leighton Jones, 14th March

Celtic legends and dramatic landscapes fill Manchester’s Bridgewater Hall in an evening of emotional and reflective music under conductor Nicholas Carter.

****1

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

****1

BBC Phil's Bluebeard's Castle eclipsed by Boulanger and Kodály

Peter Connors, 24th January

Anja Bihlmaier conducts the BBC Philharmonic in a moving D'un soir triste and joyful Dances of Galánta. Bluebeard's Castle, despite some fine things. feels less satisfying.

****1

Questions, answers and city nights: Storgårds and the BBC Philharmonic

Leighton Jones, 17th January

In three hugely different musical voices, John Storgårds with the BBC Philharmonic Orchestra move from the intimacy of Ives to the exhilaration of Adams, taking in Beethoven on their way.

****1

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Mark Thomas

A lifelong devotee of classical music, Mark caught the bug after listening to The Planets, The Rite of Spring and Beethoven’s Fifth when he was knee-high to a grasshopper. He has degrees in non-musical subjects and currently works as a Chartered Governance Professional, but these have proved to be mere distractions from the wonders of sonatas, concertos and symphonies. He has been reviewing for Bachtrack since 2016, plays viola and violin (very shakily) and used to sing a bit (even more shakily).

Prom 34: Mena bids farewell to BBC Philharmonic in dynamic Anglo-American programme