Fearless and captivating, Dancing Dutch is a romp of a programme

Dutch National Ballet in Milena Sidorova's Tenzij

Dutch National Ballet in Hans van Manen's Concertante

Dutch National Ballet in David Dawson's Anima Animus

Dutch National Ballet in Jiří Kylián's Wings of Wax

Por Vikki Jane Vile, 06 abril 2024

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“Ballet aesthetics don’t get better than this”

Crítica hecha desde Dutch National Opera and Ballet, Ámsterdam el 31 marzo 2024

Wings of Wax (Jiří Kylián)

Concertante (Hans van Manen)

Anima Animus (David Dawson)

Tenzij (world premiere) (Milena Sidorova)

Dutch National Ballet

Thomas Herzog, Dirección

Dutch National Ballet Orchestra

Un trío de ases para una noche de danza: Galili, Kylián y Duato

Eduardo López-Collazo, 30th May

Por vos muero tiene más de veinte años, pero no ha envejecido porque lo bueno nunca sufre los avatares del tiempo.

****1

Avant-Garde: an eclectic triple bill in Prague

Elsa Giovanna Simonetti, 15th March

A tremendous triple bill comprising Jiří Kylián's 27’52” and two new works by Robert Bondara and Marco Goecke. The programme unfolds as a meditation on transience, instability and the unpredictability of human life.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

Strength to strength: NDT 1’s Resonance feels like a victory lap

Mark Vicente, 10th December

A triumphant evening showcasing the breadth and depth of NDT’s artistic intellect, and their dazzling versatility across various choreographic landscapes.

*****

Dutch National Ballet's Program B is the A+ Program in New York

Ivy Lin, 21st November

Dutch National Ballet's second mixed bill at New York City Center ticked all the right boxes, showcasing the depth of talent across the whole company.

*****

Petite Mort is a cut above in second Kylián celebration

Vikki Jane Vile, 31st May

The second programme of Norwegian National Ballet's Kylián festival, Day After Yesterday, features four older works, including Petite Mort and No More Play which are unquestionably highlights of his expansive repertoire.

***11

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Vikki Jane Vile

Vikki Jane Vile has been reviewing dance for over ten years, specialising in Ballroom and Ballet. In 2018, she became a member of the Critics' Circle for Dance. Vikki writes for BroadwayWorld and previously Dancing Times, LondonDance.com and CultureWhisper. She also prides herself on being a Strictly Come Dancing connoisseur since its inception and has appeared on BBC radio and several podcasts as an expert on all things Strictly. Having lived in London for ten years, she is now based in Germany and adapting to the Berlin dance scene.