Exhilarating Brahms from Dausgaard in Dublin

Por Andrew Larkin, 07 noviembre 2015

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“There was a vernal freshness and innocence... aided by the brisk tempo and the taut, energetic sound”

Crítica hecha desde National Concert Hall: Main Stage, Dublin el 5 noviembre 2015

Schnelzer, A Freak in Burbank

Mozart, Piano Concerto no. 26 in D major "Coronation", K537

Brahms, Sinfonía núm. 2 en re mayor, Op.73

Swedish Chamber Orchestra

Thomas Dausgaard, Dirección

Christian Ihle Hadland, Piano

Répertoire symphonique au format de poche : Thomas Dausgaard à Bruges

Jan-Jakob Delanoye, 19th April

Le Swedish Chamber Orchestra a confirmé, après une première partie décevante, sa réputation d’ensemble fringant débordant d’intelligence soliste à travers la Quatrième Symphonie de Brahms.

***11

All the right decisions in the Swedish Chamber Orchestra's Beethoven concert in Toronto

Stanley Fefferman, 28th April

Thomas Dausgaard conducts with his body. A shift in his posture, without engaging hands or arms, is enough indication for his Swedish Chamber Orchestra to execute subtly graduated dynamic shifts.

****1

La Novena de Bruckner según Dausgaard y la Sinfónica de Galicia

Pablo Sánchez Quinteiro, 16th January

Thomas Dausgaard y la Orquesta Sinfónica de Galicia abordaron la Novena sinfonía de Bruckner, en una de las realizaciones más aceptadas, con un enfoque orgánico y coherente, resaltando el motor interno de la obra.

*****

Desatando el sonido y la furia de Mahler: Thomas Dausgaard y la OSG

Pablo Sánchez Quinteiro, 22nd March

Thomas Dausgaard dirige una épica Sexta de Mahler impecable técnicamente y evocadora del mundo sonoro de su autor.

*****

The Philharmonia at home with Beethoven, at sea with Sibelius

David Karlin, 25th January

A concert of two halves: the Philharmonia and Dame Mitsuko Uchida light up Beethoven with the essence of Classical style, but the orchestra struggles in Sibelius’ Lemminkäinen Suite.

***11

A farewell to arms: Dausgaard's impressive valediction to the BBC SSO

Alexander Hall, 18th August

Thomas Dausgaard and his Scottish players probe beneath the surface in symphonies by Sibelius and Nielsen, while Jan Lisiecki seeks out maximum contrasts in a Beethoven concerto.

****1

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Andrew Larkin

Andrew Larkin is a pianist, composer and teacher from Dublin. Educated at Dublin and at Cambridge, he has performed all around Europe and Mexico. He currently teaches piano and composition in Dublin.

Exhilarating Brahms from Dausgaard and the Swedish Chamber Orchestra