The Met in HD, Armida, 2010

Por Nahoko Gotoh, 01 diciembre 2013

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 1 mayo 2010

Rossini, Armida

Metropolitan Opera

Riccardo Frizza, Dirección

Mary Zimmerman, Dirección de escena

Renée Fleming, Armida

Barry Banks, Carlo

Yeghishe Manucharyan, Eustazio

John Osborn, Goffredo

Lawrence Brownlee, Rinaldo

Kobie van Rensburg, Ubaldo

The Metropolitan Opera Chorus

The Metropolitan Opera Orchestra

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Porgy and Bess returns stronger than ever at the Met

Robert Levine, 7th December

Back to Catfish Row for another revival of The Gershwins’ Porgy and Bess and James Robinson’s show continue to wow our writer.

*****

Más críticas...

Nahoko Gotoh

Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.