The Met: Falstaff

Por Rebecca Lentjes, 09 diciembre 2013

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Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 6 diciembre 2013

Verdi, Falstaff

Metropolitan Opera

James Levine, Dirección

Robert Carsen, Dirección de escena

Lisette Oropesa, Nannetta

Angela Meade, Alice Ford

Stephanie Blythe, Mistress Quickly

Jennifer Johnson Cano, Meg Page

Paolo Fanale, Tenor

Ambrogio Maestri, Sir John Falstaff

Franco Vassallo, Ford

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Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

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Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

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Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

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Robert Levine, 7th December

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Rebecca Lentjes

Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.

Antlers and antics: Robert Carsen's Falstaff at the Met