Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met

Ying Fang (Euridice) and Anthony Roth Costanzo (Orfeo)

Anthony Roth Costanzo (Orfeo)

Elena Villalón (Amore) and Anthony Roth Costanzo (Orfeo)

Anthony Roth Costanzo (Orfeo)

Por Susan Stempleski, 18 mayo 2024

Descargando, espere, por favor...

Ver la programación

“a captivating mix of sensitivity and bravery in his elegant portrayal of the mythic hero”

Crítica hecha desde Lincoln Center: Metropolitan Opera House, Nueva York el 16 mayo 2024

Gluck, Orfeo ed Euridice

Metropolitan Opera

J David Jackson, Dirección

Mark Morris, Dirección de escena, Coreografía

Allen Moyer, Diseño de escena

Isaac Mizrahi, Diseño de vestuario

James F Ingalls, Diseño de iluminación

The Metropolitan Opera Orchestra

The Metropolitan Opera Chorus

Anthony Roth Costanzo, Orfeo

Ying Fang, Euridice

Elena Villalón, Amore

Mark Morris Dance Group

De la oscuridad a la luz y regreso

Ako Imamura, 29th January

El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.

****1

Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

Susan Stempleski, 20th April

The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1

Innocence: Saariaho’s final opera receives New York premiere

Kurt Gottschalk, 6th April

At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.

*****

Tristan und Isolde at the Met: staging gets in the way of the music

No’a L. bat Miri, 9th March

Michael Spyres shines in his debut as Tristan alongside powerhouse soprano Lise Davidsen as Isolde in Yuval Sharon's new, beguiling production at the Metropolitan Opera.

***11

Ailyn Pérez is the perfect Butterfly in the Met’s revival

Robert Levine, 13th January

Good Butterflys are not that difficult to come by but great ones are very very rare. Ailyn Pérez fits the bill in this revival of Anthony Minghella’s classic staging.

*****

Vocal thrills in Met’s traditional staging of Bellini’s I puritani

Susan Stempleski, 31st December

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

*****

Más críticas...

Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Back from the other side: Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met