Baroque astonishment and wonder in Turin

Por Edoardo Pelligra, 28 noviembre 2015

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Crítica hecha desde Teatro Regio di Torino, Turín el 26 noviembre 2015

Purcell, Dido and Aeneas

Teatro Regio di Torino

Federico Maria Sardelli, Dirección

Cécile Roussat, Dirección de escena, Diseño de escena, Diseño de vestuario

Roberta Invernizzi, Dido

Benedict Nelson, Aeneas

Roberta Mameli, Belinda

Carlo Allemano, Sorceress

Kate Fruchterman, 2nd Woman

Carlo Vistoli, Spirit

Orchestra del Teatro Regio di Torino

Coro del Teatro Regio di Torino

Julien Lubek, Dirección de escena

Riccardo Muti triumphs with Un ballo in maschera in Turin

Laura Servidei, 23rd February

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti.

***11

Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin

Isabella Steppan, 22nd April

Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.

**111

The Pearl Fishers: Turin opens its operatic season

Renato Verga, 3rd October

The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.

**111

The first modern staged performance of Paër’s Agnese in Turin

Laura Servidei, 17th March

The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.

***11

In Turin's Trovatore, the women carry the day

Renato Verga, 10th October

Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.

***11

A strong Italian cast for Così fan tutte in Turin

Laura Servidei, 1st July

Diego Fasolis gives an enlightened, 18th-century account of the Mozart/da Ponte masterpiece, with great precision and elegance.

****1

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Edoardo Pelligra

Edoardo is a philosophy student in Torino, Italy. He has always been fond of classical music and operas and tries to combine his philosophical studies with music and especially philosophy of music. He is particularly enthusiastic about opera modern adaptations. Edoardo also maintains a strong passion for films, literature and travelling. He also writes reviews in Italian for Operaclick.

Purcell’s Dido and Aeneas in Turin: Baroque astonishment and wonder