Baroque astonishment and wonder in Turin

Par Edoardo Pelligra, 28 novembre 2015

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Critique faite à Teatro Regio di Torino, Turin, le 26 novembre 2015

Purcell, Dido and Aeneas (Didon et Énée)

Teatro Regio di Torino

Federico Maria Sardelli, Direction

Cécile Roussat, Mise en scène, Décors, Costumes

Roberta Invernizzi, Didon

Benedict Nelson, Énée

Roberta Mameli, Belinda

Carlo Allemano, Magicienne

Kate Fruchterman, Deuxième femme

Carlo Vistoli, L'Esprit

Orchestra del Teatro Regio di Torino

Coro del Teatro Regio di Torino

Julien Lubek, Mise en scène

Entre Turin et Memphis, une Aïda loin d’être poussiéreuse !

Arnaud Saura-Ziegelmeyer, 17th October

Pour l’ouverture de la saison du Teatro Regio de Turin portait à l’affiche le très célèbre Aïda de Giuseppe Verdi. Le montage du chef-d’œuvre amenait une collaboration inédite avec le Museo Egizio de la ville, considéré comme l’une des collections archéologiques égyptiennes les plus riches du monde après le Musée du Caire.

*****

Riccardo Muti triumphs with Un ballo in maschera in Turin

Laura Servidei, 23rd February

The Teatro Regio di Torino presents Andrea de Rosa's new production of Verdi’s operal, with a solid cast under the baton of Riccardo Muti.

***11

Nicht perfekt, aber unterhaltsam: L'elisir d’amore in Turin

Isabella Steppan, 22nd April

Die gestreamte Vorstellung von Donizettis Oper aus dem Teatro Regio hätte noch deutlich Luft nach oben gehabt, war aber dennoch charmant.

**111

The Pearl Fishers: Turin opens its operatic season

Renato Verga, 3rd October

The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.

**111

The first modern staged performance of Paër’s Agnese in Turin

Laura Servidei, 17th March

The Teatro Regio presents a Classical rarity with echoes of Mozart and anticipations of Rossini. Diego Fasolis conducts with imagination and spunk.

***11

In Turin's Trovatore, the women carry the day

Renato Verga, 10th October

Female voices dominate in the vocal cast: Rachel Willis-Sørensen debuts as Leonora and charms the audience; Anna Maria Chiuri has the temperament and rich vocality requested by the role of the gypsy.

***11

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Edoardo Pelligra

Edoardo is a philosophy student in Torino, Italy. He has always been fond of classical music and operas and tries to combine his philosophical studies with music and especially philosophy of music. He is particularly enthusiastic about opera modern adaptations. Edoardo also maintains a strong passion for films, literature and travelling. He also writes reviews in Italian for Operaclick.

Purcell’s Dido and Aeneas in Turin: Baroque astonishment and wonder