Daniele Abbado’s disappointing Don Carlo in Vienna

Por Jonathan Sutherland, 31 mayo 2016

Descargando, espere, por favor...

Ver la programación

“Marco Armiliato wasn’t going to hold back the orchestral sound for even a quaver rest”

Crítica hecha desde Wiener Staatsoper, Viena el 29 mayo 2016

Verdi, Don Carlo (In Italian)

Wiener Staatsoper

Marco Armiliato, Dirección

Daniele Abbado, Dirección de escena

Graziano Gregori, Diseño de escena

Carla Teti, Diseño de vestuario

René Pape, Filippo II

Ramón Vargas, Don Carlo

Ludovic Tézier, Rodrigo, Marchese di Posa

Alexandru Moisiuc, Il Grande Inquisitore

Anja Harteros, Elisabetta di Valois

Béatrice Uria-Monzon, La Principessa Eboli

Andrea Carroll, Una voce dal cielo

Alessandro Carletti, Diseño de iluminación

Boris Stetka, Dirección de escena

Simona Bucci, Coreografía

At half mast: Simon Boccanegra revived in Vienna

Orsolya Gyárfás, 19th April

Marco Armiliato's conducting thrills and Federica Lombardi's radiant Amelia stands out in the Wiener Staatsoper's latest revival of Simon Boccanegra.

***11

Anna Netrebko shines in Vienna’s timeless Tosca

Laura Servidei, 18th April

In a world where opera productions often stray into the abstract, the Wiener Staatsoper’s Tosca offers a refreshing return to tradition – and Anna Netrebko delivers a splendid performance.

****1

Am Rande der Gesellschaft: Wozzeck an der Wiener Staatsoper

Isabella Steppan, 11th April

An der Staatsoper siedelt Simon Stone Bergs Oper im modernen Wien an, wobei die Inszenierung bedrückend aktuell ist. Und auch musikalisch hat der Abend viel zu bieten, insbesondere dank dem Orchester unter Franz Welser-Möst.

****1

Parsifal an der Wiener Staatsoper: und es ward Licht im Gralsgefängnis

Snapdragon, 5th April

Die Inszenierung von Kirill Serebrennikov passt zwar nicht zur Atmosphäre, gesanglich – mit Klaus Florian Vogt in der Titelrolle – begeistert die Vorstellung jedoch umso mehr.

****1

Tragedy in the mirror: Minghella’s Madama Butterfly in Vienna

Laura Servidei, 14th March

Ermonela Jaho returns to one of her signature roles as Cio-Cio-San, delivering a searing and deeply nuanced portrayal.

****1

Too much and too little: Jan Lauwers’ restless Clemenza in Vienna

Chanda VanderHart, 12th March

The creative team behind the new Staatsoper Clemenza is unwilling to trust that Mozart’s opera is interesting enough to stand on its own.

***11

Más críticas...

Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.