Young stars shine in Teatro Nuovo's Poliuto

Chelsea Lehnea (Paolina) and Santiago Ballerini (Poliuto)

Ricardo José Rivera (Severo) and Chelsea Lehnea (Paolina)

Ricardo José Rivera (Severo), Hans Tashjian (Callistene) and Robert Kleinertz (Nearco)

Por Kevin W Ng, 20 julio 2023

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“Rivera is a real find, a true Verdi baritone with rich tone and seamless legato”

Crítica hecha desde Jazz at Lincoln Center: Rose Theater, Nueva York el 19 julio 2023

Donizetti, Poliuto (Semi-staged)

Teatro Nuovo

Jakob Lehmann, Dirección

Teatro Nuovo Orchestra

Teatro Nuovo Chorus

Santiago Ballerini, Poliuto

Chelsea Lehnea, Paolina

Ricardo José Rivera, Severo

Krishna Raman, Felice

Robert Kleinertz, Nearco

Hans Tashjian, Callistene

James Danner, Tenor

Louise Floyd, Barítono

A Teatro Nuovo performance with a thieving magpie and silvery voices

Edward Sava-Segal, 18th July

Rossini’s La gazza ladra in New York exposed an enthusiastic public to an auditive and visual happening that was entirely novel for many long-time opera lovers.

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Bellini's mysterious Straniera appears in New York

Robert Levine, 17th July

The recently formed Teatro Nuovo provide fine entertainment with Bellini's rarely performed second opera.

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Teatro Nuovo sheds new light on bel canto’s beginnings

Edward Sava-Segal, 5th August

Maestro Crutchfield carefully underlined the transitional character of the music, neither Classical nor Romantic.

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Il Giustino de Vivaldi revive en el Teatro Real con René Jacobs

Aaron Vincent, 25th April

Un Vivaldi de sorprendente vigor teatral cierra en el Teatro Real la gira europea de la Freiburger Barockorchester bajo la batuta de René Jacobs.

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Gaffigan y Michieletto realzan el lado humano de Salomé brillantemente

Daniel Martínez Babiloni, 25th April

Les Arts triunfa con una deslumbrante Salomé, a la par que terriblemente humana.

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Éxito asegurado, resultado confirmado: La traviata en La Faràndula

Albert Ferrer Flamarich, 22nd April

Andrés Salado dirige La traviata con buen equilibrio y riqueza orquestal, producción de la Fundació Òpera Catalunya en la que destacó Tina Gorina, por su naturalidad y dominio de la voz.

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Kevin W Ng

Kevin writes about music and culture, with a focus on opera. Originally trained as a violinist, he has a particular interest in 20th-century music. He is currently based in New York City.