A Teatro Nuovo performance with a thieving magpie and silvery voices

Por Edward Sava-Segal, 20 julio 2019

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Crítica hecha desde Jazz at Lincoln Center: Rose Theater, Nueva York el 18 julio 2019

Rossini, La gazza ladra

Teatro Nuovo

Rachelle Jonck, Dirección

Alisa Jordheim, Ninetta

Hannah Ludwig, Pippo

Oliver Sewell, Giannetto

Erik Van Heyningen, Fernando Villabella

Hans Tashjian, Il Podestà

Allison Gish, Lucia

Rob McGinness, Fabrizio Vingradito

Spencer Viator, Isacco

Jacob Wright, Antonio

Samuel Ferreira, Giorgio

Peter Warren, Ernesto

Young stars shine in Teatro Nuovo's Poliuto

Kevin W Ng, 19th July

Soprano Chelsea Lehnea is a revelation in a rare opportunity to see Donizetti's operatic take on the early Christian martyr Polyeuctus.

****1

Bellini's mysterious Straniera appears in New York

Robert Levine, 17th July

The recently formed Teatro Nuovo provide fine entertainment with Bellini's rarely performed second opera.

*****

Teatro Nuovo sheds new light on bel canto’s beginnings

Edward Sava-Segal, 5th August

Maestro Crutchfield carefully underlined the transitional character of the music, neither Classical nor Romantic.

****1

Anduaga consuma un Werther de brillantez técnica y lírica en el Liceu

Maria Sánchez, 4th May

Idealización de tonalidades luminosas y pulso musical en las líneas románticas de Massenet, capitaneadas por el estreno de Xabier Anduaga en el papel del joven protagonista.

****1

Il Giustino de Vivaldi revive en el Teatro Real con René Jacobs

Aaron Vincent, 25th April

Un Vivaldi de sorprendente vigor teatral cierra en el Teatro Real la gira europea de la Freiburger Barockorchester bajo la batuta de René Jacobs.

****1

Gaffigan y Michieletto realzan el lado humano de Salomé brillantemente

Daniel Martínez Babiloni, 25th April

Les Arts triunfa con una deslumbrante Salomé, a la par que terriblemente humana.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.