Gustavo Dudamel opens the New York Philharmonic season

Gustavo Dudamel, Yunchan Lim and the New York Philharmonic

Yunchan Lim, Gustavo Dudamel and the New York Philharmonic

Por Susan Stempleski, 12 septiembre 2025

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“Yunchan Lim’s charismatic rendition of Béla Bartók’s Third Piano Concerto was utterly captivating”

Crítica hecha desde Lincoln Center: Wu Tsai Theater, David Geffen Hall, Nueva York el 11 septiembre 2025

Lanzilotti, Of light and stone (World premiere)

Bartók, Concierto para piano núm. 3, Sz 119

Tolstoy, On this quiet summer night

Ives, Symphony no. 2

Yunchan Lim, Piano

New York Philharmonic

Gustavo Dudamel, Dirección

Elim Chan takes the New York Philharmonic to the ball

Susan Stempleski, 27th May

The Hong Kong-born conductor conducts a masterful performance of selections from Prokofiev’s Cinderella and Philharmonic Principal Carter Brey bids farewell in Saint-Saëns’ First Cello Concerto.

****1

Memorable Mendelssohn from Marek Janowski and the New York Phil

Susan Stempleski, 21st May

Principal Trumpet Christopher Martin plays Haydn before the esteemed German maestro conducts a vibrant Scottish Symphony.

****1

Barbara Hannigan makes a powerful connection in La Voix humaine

Thomas May, 23rd April

The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.

****1

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Captivating Bartók, inspired Ives: Dudamel opens the New York Philharmonic season