Gustavo Dudamel opens the New York Philharmonic season

Gustavo Dudamel, Yunchan Lim and the New York Philharmonic

Yunchan Lim, Gustavo Dudamel and the New York Philharmonic

Von Susan Stempleski, 12 September 2025

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Veranstaltung anzeigen

“Yunchan Lim’s charismatic rendition of Béla Bartók’s Third Piano Concerto was utterly captivating”

Rezensierte Veranstaltung: Lincoln Center: Wu Tsai Theater, David Geffen Hall, New York City, am 11 September 2025

Lanzilotti, Of light and stone (World premiere)

Bartók, Klavierkonzert Nr. 3, Sz119

Tolstoy, On this quiet summer night

Ives, Sinfonie Nr. 2

Yunchan Lim, Klavier

New York Philharmonic

Gustavo Dudamel, Musikalische Leitung

Yo-Yo Ma spielt Salonen in Hamburg

Zenaida des Aubris, 3rd April

Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.

****1

Fragiles Spiel in New York

Stefan Pillhofer, 7th April

Die New Yorker David Geffen Hall ist ein imposanter Bau und beheimatet das New York Philharmonic Orchestra, welches an diesem Abend nicht nur Stärken zeigte.

***11

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Susan Stempleski, 29th January

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

****1

Weitere Kritiken...

Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Captivating Bartók, inspired Ives: Dudamel opens the New York Philharmonic season