A gripping and intense performance of Dvořák’s Seventh

Por Alan Yu, 05 diciembre 2015

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“I, for one, had to suppress an urge to stand up for a spin!”

Crítica hecha desde Maison symphonique, Montreal el 2 diciembre 2015

Mozart, Concierto para violín núm. 1 en si bemol mayor, K207

Smetana, Má Vlast (Mi patria): Vltava (El Moldava)

Dvořák, Sinfonía núm. 7 en re menor, op. 70

Orchestre Symphonique de Montréal

Nikolaj Szeps-Znaider, Violín, Dirección

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Rafael Payare boldly programmes Kinan Azmeh's Suite for Improvisor and Orchestra in a diverse concert bill that also features long-standing Principal Flute Timothy Hutchins.

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A national treasure revisits Montreal: Angela Hewitt plays Mozart

Ian Cochrane, 28th February

Angela Hewitt joins the Orchestre symphonique de Montréal for an exquisite rendering of a Mozart concerto, and Leonard Slatkin conducts Tchaikovsky's Winter Daydreams.

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Last minute jump-in Hankyeol Yoon saves the day in Montreal

Ian Cochrane, 21st January

Virtuosic Alina Ibragimova joins the Orchestre symphonique de Montréal for a dynamite performance of Stravinsky’s Violin Concerto, while youthful conductor Hankyeol Yoon leads polished Rachmaninov.

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Payare, Lamsma and the OSM: Korngold and Bartók in Montreal

Ian Cochrane, 3rd December

The Orchestre Symphonique de Montréal (OSM), conductor Rafael Payare, and violin soloist Simone Lamsma joined forces in a program that featured seminal works by two musical titans who settled in the United States after fleeing Europe in the mid-twentieth century.

****1

Faust’s bargain, Berlioz’s triumph in Montréal’s season launch

Ian Cochrane, 17th September

Rafael Payare leads a fevered account of desire, damnation and sonic grandeur, ably supported by Karen Cargill and Andrew Staples.

****1

Benjamin Grosvenor’s Ravel sparkles in Montreal

Ian Cochrane, 1st May

The British are coming! An exciting evening of Ravel and Vaughan Williams with conductor Andrew Manze and pianist Benjamin Grosvenor in Montreal.

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Alan Yu

The first concert Alan attended was Mahler’s Das Lied von der Erde. For 7 years he presented classical music programmes for Radio Television Hong Kong, partly to pay his way through university. He attends concerts whenever he can and believes there is no substitute for the thrill of live performances. He writes here.

OSM in gripping and intense performance of Dvořák’s Seventh