Sun, sex and suspicious potions: L'elisir d'amore at Glyndebourne

Por Dominic Lowe, 15 octubre 2019

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“Nemorino was sung by Sehoon Moon with just the right mix of bashful shyness and passion”

Crítica hecha desde Glyndebourne Opera House, Glyndebourne el 13 octubre 2019

Donizetti, L'elisir d'amore

Glyndebourne Autumn

Ben Glassberg, Dirección

Annabel Arden, Dirección de escena

Lez Brotherston, Diseño de escena, Diseño de vestuario

Benedetta Torre, Adina

Sehoon Moon, Nemorino

Matthew Durkan, Belcore

Misha Kiria, Dulcamara

Leah Hausman, Coreografía

Glyndebourne Sinfonia

The Glyndebourne Chorus

The Railway Children becomes a pacy action thriller at Glyndebourne

Nick Boston, 30th October

Mark-Anthony Turnage and Rachael Hewer update Edith Nesbit’s children's novel as a spy action thriller, with an exciting score and a strong cast of singers.

****1

Glyndebourne’s iconic Dream approaches its century

Eleanor Knight, 12th October

Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season.

****1

Elisa Verzier commands Tom Cairns’ iconic Traviata at Glyndebourne

Eleanor Knight, 13th October

Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.

****1

Dazzling revival of Il turco in Italia at Glyndebourne

Dominic Lowe, 12th October

A revival of Mariame Clément's production of Rossini's less-loved comic gem provides the sense of Italian sun to warm the body and belly laughs to warm the soul.

****1

Confusion clouds any central critique in Clément's Don Giovanni

Nick Boston, 12th November

Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne.

***11

Another joyful return for Glyndebourne's fizzy Elisir d'amore

Nick Boston, 11th November

Strong solo and ensemble singing from a solid cast – with a last minute addition for Act 2 – make for a joyful revival of this much-loved production.

****1

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.

Sun, sex and suspicious potions: L'elisir d'amore on the Glyndbourne Tour