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The inspired and the prosaic at Fall for Dance at New York City Center

Gibney Dance in Lucinda Child's Three Dances (for prepared piano) John Cage
© Steven Pisano
kNoname Artist in Roderick George's Missing Fruit (Part I)
© Steven Pisano
kNoname Artist in Roderick George's Missing Fruit (Part I)
© Steven Pisano
Hannah O'Neill and Hugo Marchand of the Paris Opera Ballet in Jerome Robbins' Afternoon of a Faun
© Steven Pisano
Hugo Marchand and Hannah O'Neill of the Paris Opera Ballet in Le Parc by Angelin Preljocaj
© Steven Pisano
Hannah O'Neill and Hugo Marchand of the Paris Opera Ballet in Le Parc by Angelin Preljocaj
© Steven Pisano
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“they locked lips with the sturdiness of suction cups in the duet from Angelin Preljocaj’s Le Parc”
Crítica hecha desde New York City Center, Nueva York el 20 septiembre 2025
Three Dances (for prepared piano) (Lucinda Childs)
Afternoon of a Faun (Jerome Robbins)
The Missing Fruit (Part I) (world premiere) (Roderick George)
Le Parc (pas de deux) (Angelin Preljocaj)
Gibney Company
Hannah O'Neill, Bailarín
Hugo Marchand, Bailarín
kNowname Artist
Joseph Markey, Bailarín
MJ Edwards, Bailarín
Jacquelin Harris, Bailarín
(La) Horde tape dans le mille avec Roommates au Centquatre
****1
The marvelous, disarming Sons of Echo at the Joyce Theater
****1
Four New Works by Lucinda Childs: classic postmodernism
****1
Die Mischung macht’s: eine junge alte Salome an der Volksoper Wien
***11
Reaching for the light: Arvo Pärt and Robert Wilson's Adam's Passion
****1
Viel Vergangenheit: Liebeslieder am Wiener Staatsballett
****1
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