Strong cast lifts constrained staging in Glyndebourne's Fidelio

Por Nick Boston, 18 octubre 2021

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“Smith’s crazed performance into the camera... giving a real sense of torment, despair and delirium”

Crítica hecha desde Glyndebourne Opera House, Glyndebourne el 16 octubre 2021

Beethoven, Fidelio

Glyndebourne Autumn

Ben Glassberg, Dirección

Frederic Wake-Walker, Dirección de escena

Anna Jones, Diseño de escena, Diseño de vestuario

Peter Mumford, Diseño de iluminación

Dorothea Herbert, Leonore

Adam Smith, Florestan

Dingle Yandell, Don Pizarro

Callum Thorpe, Rocco

Gavan Ring, Jaquino

Carrie-Ann Williams, Marzelline

Jonathan Lemalu, Don Fernando

The Glyndebourne Chorus

Glyndebourne Sinfonia

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****1

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Eleanor Knight, 12th October

Sir Peter Hall's classic staging of Britten's Shakespearean comedy nears a landmark moment in Glyndebourne’s autumn season.

****1

Elisa Verzier commands Tom Cairns’ iconic Traviata at Glyndebourne

Eleanor Knight, 13th October

Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.

****1

Dazzling revival of Il turco in Italia at Glyndebourne

Dominic Lowe, 12th October

A revival of Mariame Clément's production of Rossini's less-loved comic gem provides the sense of Italian sun to warm the body and belly laughs to warm the soul.

****1

Confusion clouds any central critique in Clément's Don Giovanni

Nick Boston, 12th November

Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne.

***11

Another joyful return for Glyndebourne's fizzy Elisir d'amore

Nick Boston, 11th November

Strong solo and ensemble singing from a solid cast – with a last minute addition for Act 2 – make for a joyful revival of this much-loved production.

****1

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Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Strong cast lifts Wake-Walker's constrained staging in Glyndebourne Tour's Fidelio