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Fact file
Composer | Beethoven, Ludwig van (1770-1827) |
Period | Romantic |
Year | 1814 |
Work type | Opera / Oratorio |
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BudapestFidelioNew production
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Beethoven: Fidelio
Péter Halász; Tobias Kratzer; Hungarian State Opera; Rainer Sellmaier; Michael Bauer; Hungarian State Opera Orchestra
ViennaFidelioNew production

Beethoven: Fidelio
Franz Welser-Möst; Nikolaus Habjan; Vienna State Opera; Julius Semmelmann; Denise Heschl; Franz Tscheck; Orchestra of the Vienna State Opera
MunichFidelio

Beethoven: Fidelio
Yoel Gamzou; Calixto Bieito; Bavarian State Opera; Rebecca Ringst; Ingo Krügler; Reinhard Traub; Bayerisches Staatsorchester
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A radically trad Fidelio at Garsington
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Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.
Lise Davidsen thrills in Metropolitan Opera’s Fidelio revival
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Exceptional singing enlivens a flawed production, which takes liberties with the tone and tenor of Beethoven's sole opera.
Revolutionary zeal gives way to tyranny in The Royal Opera’s Fidelio
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This revival of Kratzer’s production forces the audience to confront where personal responsibility starts and stops for acting under a tyrannical regime, while bringing Beethoven’s only opera to life – with a few twists.
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RomeFidelio (concert performance)
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Beethoven: Fidelio
Sir Antonio Pappano; Rachel Willis-Sørensen; Simon O'Neill; Sebastian Holecek; Günther Groissböck
AmsterdamFidelio

Beethoven: Fidelio
Jaap van Zweden; Daniel Frank; Oliver Zwarg; Simon Neal; Georg Zeppenfeld
Latest articles
A struggle for harmony: Beethoven’s Fidelio at DNO
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For the Holland Festival 2024, maverick Ukrainian director Andriy Zholdak tackles Beethoven’s only opera – exploring the opera’s deep political resonances in a conflict-torn world.
Beethoven’s “problem child”: staging Fidelio
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We speak to three directors – Amélie Niermeyer, Tobias Kratzer and Frederic Wake-Walker – about the challenges of staging Beethoven's only opera.
A sense of theatre: Sir Antonio Pappano
Sir Antonio Pappano reflects on recent performances of Fidelio and Norma and how his Orchestra dell'Accademia Nazionale di Santa Cecilia has evolved and the difficulties staging Verdi.