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Work: Fidelio

Find classical music concert, opera, ballet and dance listings
Fact file
ComposerBeethoven, Ludwig van (1770-1827)
PeriodRomantic
Year1814
Work typeOpera / Oratorio
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BudapestFidelioNew production

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Beethoven: Fidelio
Péter Halász; Tobias Kratzer; Hungarian State Opera; Rainer Sellmaier; Michael Bauer; Hungarian State Opera Orchestra

ViennaFidelioNew production

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Beethoven: Fidelio
Franz Welser-Möst; Nikolaus Habjan; Vienna State Opera; Julius Semmelmann; Denise Heschl; Franz Tscheck; Orchestra of the Vienna State Opera

MunichFidelio

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Beethoven: Fidelio
Yoel Gamzou; Calixto Bieito; Bavarian State Opera; Rebecca Ringst; Ingo Krügler; Reinhard Traub; Bayerisches Staatsorchester
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A radically trad Fidelio at Garsington

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Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.
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Lise Davidsen thrills in Metropolitan Opera’s Fidelio revival

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Exceptional singing enlivens a flawed production, which takes liberties with the tone and tenor of Beethoven's sole opera.
****1
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Revolutionary zeal gives way to tyranny in The Royal Opera’s Fidelio

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This revival of Kratzer’s production forces the audience to confront where personal responsibility starts and stops for acting under a tyrannical regime, while bringing Beethoven’s only opera to life – with a few twists.
****1
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RomeFidelio (concert performance)

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Beethoven: Fidelio
Sir Antonio Pappano; Rachel Willis-Sørensen; Simon O'Neill; Sebastian Holecek; Günther Groissböck

AmsterdamFidelio

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Beethoven: Fidelio
Jaap van Zweden; Daniel Frank; Oliver Zwarg; Simon Neal; Georg Zeppenfeld
Latest articles

A struggle for harmony: Beethoven’s Fidelio at DNO

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For the Holland Festival 2024, maverick Ukrainian director Andriy Zholdak tackles Beethoven’s only opera – exploring the opera’s deep political resonances in a conflict-torn world.

Beethoven’s “problem child”: staging Fidelio

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We speak to three directors – Amélie Niermeyer, Tobias Kratzer and Frederic Wake-Walker – about the challenges of staging Beethoven's only opera. 

A sense of theatre: Sir Antonio Pappano

Sir Antonio Pappano reflects on recent performances of Fidelio and Norma and how his Orchestra dell'Accademia Nazionale di Santa Cecilia has evolved and the difficulties staging Verdi.