Strong cast lifts constrained staging in Glyndebourne's Fidelio

Von Nick Boston, 18 Oktober 2021

Laden, bitte warten...

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“Smith’s crazed performance into the camera... giving a real sense of torment, despair and delirium”

Rezensierte Veranstaltung: Glyndebourne Opera House, Glyndebourne, am 16 Oktober 2021

Beethoven, Fidelio

Glyndebourne Autumn

Ben Glassberg, Musikalische Leitung

Frederic Wake-Walker, Regie

Anna Jones, Bühnenbild, Kostüme

Peter Mumford, Licht

Dorothea Herbert, Leonore

Adam Smith, Florestan

Dingle Yandell, Don Pizarro

Callum Thorpe, Rocco

Gavan Ring, Jaquino

Carrie-Ann Williams, Marzelline

Jonathan Lemalu, Don Fernando

The Glyndebourne Chorus

Glyndebourne Sinfonia

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****1

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****1

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Eleanor Knight, 13th October

Elisa Verzier, making her Glyndebourne debut, is astonishing as Violetta in a revival of Tom Cairns' 2014 production.

****1

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Dominic Lowe, 12th October

A revival of Mariame Clément's production of Rossini's less-loved comic gem provides the sense of Italian sun to warm the body and belly laughs to warm the soul.

****1

Confusion clouds any central critique in Clément's Don Giovanni

Nick Boston, 12th November

Strong musical performances in a flawed and confused production revived for the autumn season at Glyndebourne.

***11

Another joyful return for Glyndebourne's fizzy Elisir d'amore

Nick Boston, 11th November

Strong solo and ensemble singing from a solid cast – with a last minute addition for Act 2 – make for a joyful revival of this much-loved production.

****1

Weitere Kritiken...

Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Strong cast lifts Wake-Walker's constrained staging in Glyndebourne Tour's Fidelio