Guth's FroSch arrives at Unter den Linden

Por Hugo Shirley, 18 septiembre 2018

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“The Staatskapelle sounded fabulous: silky, rich and transparent, packing a huge punch”

Crítica hecha desde Staatsoper Unter den Linden, Berlín el 16 septiembre 2018

Strauss R., Die Frau ohne Schatten

Staatsoper Berlin

Simone Young, Dirección

Claus Guth, Dirección de escena

Christian Schmidt, Diseño de escena, Diseño de vestuario

Elena Pankratova, Barak the Dyer's Wife

Camilla Nylund, Empress

Michaela Schuster, Nurse

Simon O'Neill, Emperor

Michael Volle, Barak, the Dyer

Evelin Novak, The Guardian of the Threshold, The Second Maid

Serena Sáenz, The First Maid

Natalia Skrycka, The Third Maid, A Voice From Above

Slávka Zámečníková, The Voice of a Falcon

Jun-Sang Han, The Apparition of a Youth

Karl-Michael Ebner, The Hunchback, Barak's Brother

Bartolomeo Stasch, The One-Armed Man, Barak’s Brother

TBC, The One-Eyed Man, Barak’s Brother

Olaf Winter, Diseño de iluminación

Andi A. Müller, Videoarte

Staatsopernchor Berlin

Staatskapelle Berlin

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Hugo Shirley

Hugo Shirley is a Berlin-based writer and musicologist. He has written widely as a critic in the UK, including for The Spectator, the Financial Times and Daily Telegraph, and has held editorial posts at both Opera and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and has a PhD in musicology from King's College London, where his thesis focused on Strauss and Hofmannsthal’s Die Frau ohne Schatten.

A dream staging: Claus Guth's Frau ohne Schatten arrives at the Staatsoper unter den Linden