Mellow fruitfulness abounds in Fröst's Brahms

Por Mark Pullinger, 16 septiembre 2014

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Crítica hecha desde Wigmore Hall, Londres el 16 septiembre 2014

Mozart, Quinteto para clarinete y cuerdas en la mayor, K581

Brahms, Quinteto con clarinete en si menor, op. 115

Martin Fröst, Clarinete

Apollon Musagète Quartet

Riveting Franck at the West Cork Chamber Music Festival

Andrew Larkin, 1st July

The Apollon Musagète Quartet captures the imaginative world of Panufnik, while Nurit and Pescia deliver a searingly intense Bloch Violin Sonata no. 1.

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An exhilarating Beethoven “Razumovsky” Quartet no. 2 by Quatuor Danel

Andrew Larkin, 30th June

Quartet Dudok perform life-affirming Mozart while Apollon Musagète Quartet give an effective rendition of Panufnik. Quatuor Danel deliver a tour de force of Beethoven's “Razumovsky” String Quartet no. 2.

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Las últimas palabras de la Orquestra de Cadaqués

David Santana Cañas, 12th December

La Orquestra de Cadaqués ofrece su último concierto en el Auditorio Nacional acompañada por Martin Fröst y el Coro Estatal de Letonia.

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Israel Philharmonic makes long awaited Elbphilharmonie debut

Mengguang Huang, 3rd November

The Israel Philharmonic’s debut at Hamburg’s Elbphilharmonie showcases Lahav Shani’s elegant precision, Martin Fröst’s vivid virtuosity and Paul Ben-Haim’s rare symphonic voice, culminating in radiant musical unity.

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Martin Fröst interpretiert Anna Clynes Klarinettenkonzert

Thomas Schacher, 23rd October

Das Tonhalle-Orchester unter der Leitung des Gastdirigenten Cristian Măcelaru bringt neben der Zürcher Erstaufführung von Weathered auch die fünfte Symphonie von Prokofjew zur Aufführung.

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Cool cat: Martin Fröst purrs at the BBC Proms

Mark Pullinger, 31st July

The Swedish clarinettist pays tribute to two jazz legends in Joshua Weilerstein's programme that includes Proms debutante, Elsa Barraine, and Rachmaninov.

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Mellow fruitfulness abounds from Martin Fröst in autumnal Brahms