Celeste Aida: Garifullina shines

Por Mark Pullinger, 04 diciembre 2014

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“Hymn to the Sun... exquisitely seductive, Garifullina relishing the sinuous chromatic runs”

Crítica hecha desde Wigmore Hall, Londres el 3 diciembre 2014

Rimsky-Korsakov, Snow Maiden: S podruzhkami po jagodu khodit (The Snow Maiden's aria)

Rimsky-Korsakov, Enslaved by the rose, the nightingale, (Vostochnyj romans) words by Kol'tsov, Op.2 no.2

Chaikovskiï, Serenade: O, ditya, pod okoshkom tvoim (O child beneath my window), Op.63 no. 6

Dvořák, Gypsy Songs: Songs My Mother Taught Me (Když mne stará matka zpívat), Op.55 no.4

Delibes, Les filles des Cadix

Bellini, Norma: Casta Diva

Rajmáninov, Lilacs (Siren'), Op.21 no.5

Rajmáninov, How fair this spot (Zdes' khorosho), Op.21 no.7

Gounod, Romeo et Juliette: Je veux vivre (Juliet's Waltz)

Rimsky-Korsakov, Le Coq d'Or: Otvet mne zorkoe svetilo (Hymn to the sun)

Leoncavallo, Mattinata

Puccini, La bohème: Quando m'en vo

Puccini, Gianni Schicchi: O mio babbino caro

Aida Garifullina, Soprano

Iain Burnside, Piano

Rich pickings from Ivan Magrì's Rosenblatt Recital

Dominic Lowe, 3rd April

Ivan Magrì's exemplary technique and strong delivery in his London recital debut left his audience hoping for a return visit to the Rosenblatt series in the imminent future.

****1

Rosenblatt strikes again: Luis Gomes and Ekaterina Siurina

Dominic Lowe, 16th March

Singing at short notice, Luis Gomes made a fine partner for Ekaterina Siurina at another superb recital in the Rosenblatt Recital series.

****1

Madness or Genuis? Exploring the Dark Side

David Smythe, 24th October

St Andrews Voices was a perfect platform for Roderick Williams and Iain Burnside to exlore the fine line between madness and genuis in a compelling song recital.

****1

A tribute to Britten and Rimbaud: Journeying Boys at the Guildhall

Jaime Robles, 9th November

In the programme notes to the Guildhall production of Journeying Boys, writer and director Iain Burnside reveals that the original idea behind the play came from Nick Sears, the Royal College of Music’s Head of Vocal Studies. It’s hard to know whether that disclosure was a giving of credit due or a disclaimer.

***11

Lammermuir Festival: Literary Britten

Alan Coady, 19th September

Haddington’s 1815 Holy Trinity Church stands on the site of a thirteenth-century Franciscan friary. It is set back on the deceptively narrow Church Street which terminates at the Nungate Bridge, as did the dangling lives of many criminals in bygone eras. This elegantly simply venue housed an imaginative centenary celebration programme entitled “Literary Britten”.

****1

Iain Burnside's Journeying Boys at the Royal College of Music

Ninfea Cruttwell-Reade, 8th February

“Bring it on”. This was the response of Nicholas Sears, Head of Vocal Studies at the Royal College of Music, when Iain Burnside sketched out his plan for a music theatre event that would almost certainly cross boundaries of taste.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Celeste Aida: Garifullina shines in Rosenblatt Recital debut