Grupo Corpo at Sadlers Wells

Por Margaret Willis, 14 septiembre 2011

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde Sadler's Wells Theatre, Londres el 13 septiembre 2011

Ima (Rodrigo Pederneiras)

Onqoto

Grupo Corpo

Grupo Corpo: stunning start to dance events at the Edinburgh Festival

Kathy Elgin, 5th August

One might comment that the choreography is a bit repetitive. On the other hand, another word for that might be hypnotic.

***11

Grupo Corpo bring voluptuous samba vibes to Montreal

Rebecca Galloway, 23rd January

Brazilian company Grupo Corpo celebrated its 44th anniversary this month with a trip to icy Montreal. True to their reputation, they burst onto the stage of Theatre Maisonneuve like a ball of sunshine, warm enough to thaw the blood and get the heart pumping again.

****1

BJM visits New York

Andrew Blackmore-Dobbyn, 24th May

Les Ballets Jazz de Montréal is a company that embraces individuality and is at its best when the dancers are all on stage together.

***11

The Limón Dance Company Celebrates 65 Years

Stephanie Sirabian, 19th June

Simply stated, watching the Limón Dance Company is an emotional experience. The concepts that inspired founder and choreographer José Limón 65 years ago remain fresh today and challenge the audience. This unspoken conversation is the hallmark of American modern dance and part of Limón’s legacy.

***11

Persistente: la triple función del ENB celebra las coreógrafas

Mark Pullinger, 4th April

She Persisted es la continuación de la propuesta del ENB She Said, una función triple con las creaciones de Annabelle López Ochoa, Stina Quagebeur y Pina Bausch.

*****

Acosta's Don Quixote for BRB: polished but not quite enough panache

Jonathan Gray, 23rd April

Carlos Acosta's Don Quixote for Birmingham Royal Ballet returned to Sadler's Wells with polished but low-key interpretations across the board.

***11

Más críticas...

Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.