A grim and long-delayed première in Prague

Por Frank Kuznik, 15 diciembre 2014

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Crítica hecha desde National Theatre (Národní divadlo), Praga el 12 diciembre 2014

Hába, Nová zeme (The New Land)

Prague National Theatre Opera

Petr Kofroň, Dirección

Miroslav Bambušek, Dirección de escena

Jana Preková, Diseño de vestuario, Diseño de escena

Pavol Remenár, Větrov

Lucie Hilscherová, Větrovova

Josef Moravec, Prochor

Luděk Vele, Rat-Lukánič

Jiří Brückler, Bankin

Marie Fajtová, Máša

Jaroslav Březina, Gríša

Veronika Hajnová, Nataša

Lenka Šmídová, Čučkina

Yvona Škvárová, Šiškova

Zdeněk Plech, Karpucha

Václav Lemberk, Man

Prague National Theatre Orchestra

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Timo Riihonen and Ester Pavlů stand out in a strong cast which carries Andreas Homoki's revised version of Wagner's final opera.

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Smetana in Prague is never likely to be less than a delight, and the National Theatre assembles a fine cast for a revival of Alice Nellis' production of his greatest opera.

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Sláva Daubnerová's contemporary treatment of the Ring opener at the Prague National Theatre is socially ambitious but artistically disappointing.

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Alice Nellis' staging of Purcell's masterpiece is both historically faithful and innovatively modern. With Collegium 1704 providing the early music chops, it's a rare treat.

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The director drains the life out of an impassioned opera with a staging devoid of authenticity and ideas.

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Frank Kuznik

Frank Kuznik is the former Editor-in-Chief and Culture Editor of The Prague Post, Central Europe’s premier English-language weekly newspaper. He currently divides his time between Prague and his hometown in the US, Cleveland, where he covers northeast Ohio's dynamic classical music scene. In Prague he is an habitué of the Rudolfinum, National Theater, State Opera and other storied classical music venues, and an unabashed fan of Czech music.

The New Land: A grim and long-delayed première in Prague