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A vibrant, urgent Ariodante at Lyric Opera of Chicago

Por Katherine Syer, 06 marzo 2019

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“platinum quality in every sense”

Crítica hecha desde Lyric Opera House, Chicago el 2 marzo 2019

Handel, Ariodante

Lyric Opera of Chicago

Harry Bicket, Dirección

Richard Jones, Dirección de escena

Ultz, Diseño de escena, Diseño de vestuario

Julie Anne Miller, Ariodante

Brenda Rae, Ginevra

Iestyn Davies, Polinesso

Heidi Stober, Dalinda

Eric Ferring, Lurcanio

Kyle Ketelsen, King of Scotland

Josh Lovell, Odoardo

Chicago Lyric Opera Orchestra

Chicago Lyric Opera Chorus

Benjamin Davis, Director de reposición

Finn Caldwell, Puppetry Designer

Nick Barnes, Puppetry Designer

Frida Kahlo and Diego Rivera brings Spanish to the Lyric Opera

Graham Meyer, 29th March

The Lyric Opera of Chicago's presentation of El último sueño de Frida y Diego brings the Mexican artists to life... or at least a life reminiscent of their real ones.

****1

Sir David McVicar’s psychologically driven Salome arrives in Chicago

Graham Meyer, 25th January

Revived at Lyric Opera of Chicago, the notorious opera director’s take stirs sympathy for Salome, but leans on some of his theatrical hobby-horses

****1

Missy Mazzoli’s The Listeners takes its Chicago bow

Graham Meyer, 2nd April

Lyric Opera of Chicago's production of Missy Mazzoli's opera, which the company co-commissioned, has strong, dramatic, expressive music throughout, but the story lacks continuity.

**111

A light Marriage of Figaro makes the case for fun in Chicago

Graham Meyer, 9th November

Lyric Opera of Chicago revives its diverting and divisive 2015 original production by Barbara Gaines, who does it like a Shakespearean sex farce.

****1

Rigoletto cast dazzles in Lyric Opera of Chicago’s season opener

Graham Meyer, 14th September

Through brilliant singing and layered acting, Javier Camarena, Mané Galoyan, and Igor Golovatenko drive a Rigoletto to warm a traditionalist's heart.

****1

Davidsen and Stemme anchor an extraordinary Jenůfa in Chicago

Cameron Kelsall, 12th November

Claus Guth's production foregrounds the regimented, repressive world that drives the plot of Janáček’s tragic masterpiece.

*****

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Katherine Syer

Katherine Syer is a Los Angeles-based writer/editor, public scholar, and dramaturg following a teaching career at the University of Illinois Urbana-Champaign and UCLA