COC's visually arresting Hänsel und Gretel brimming with ideas

Por John Gilks, 07 febrero 2020

Descargando, espere, por favor...

Ver la programación

“Russell Braun, as ever, throws himself into the role of Peter”

Crítica hecha desde Four Seasons Centre for the Performing Arts, Toronto el 6 febrero 2020

Humperdinck, Hänsel und Gretel

Canadian Opera Company

Johannes Debus, Dirección

Joel Ivany, Dirección de escena

S Katy Tucker, Diseño de escena, Projection Designer

Ming Wong, Diseño de vestuario

Emily Fons, Hänsel

Simone Osborne, Gretel

Michael Colvin, Witch

Russell Braun, Peter / Father

Krisztina Szabó, Gertrude / Mother

Anna-Sophie Neher, Dew Fairy, Sandman

Canadian Opera Company Chorus

Canadian Opera Company Orchestra

Werther oozes quiet despair in new Canadian Opera Company staging

John Gilks, 7th May

Excellent performances cannot turn a conventional production of Massenet’s Werther into a dramatic experience for the 21st century.

***11

Lepage’s Bluebeard and Erwartung pairing remains compelling theatre

John Gilks, 25th April

Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.

*****

Canadian Opera Company’s Barber proves as fresh as ever

John Gilks, 5th February

The Barber is back in Toronto with an excellent cast, young and old, and it’s as lively, colourful and energetic as ever.

****1

Christopher Alden’s Rigoletto returns to Canadian Opera Company

Michelle Assay, 28th January

Christopher Alden’s Victorian-era Rigoletto still divides opinions, despite top-notch performances all around in this Toronto revival.

***11

Canadian Opera's Orfeo returns elegant, restrained and very satisfying

John Gilks, 9th October

The restrained beauty of Robert Carsen’s production of Gluck’s Orfeo ed Euridice is matched by musical elegance in its revival current revival at the Four Seasons Centre.

*****

Canadian Opera Company opens season with Roméo et Juliette

John Gilks, 27th September

Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye-catching and enjoyable but doesn’t offer the same level of insight as her Faust last season.

***11

Más críticas...

John Gilks

John trained as a mathematician before working all over the world in management consulting. He’s now settled in downtown Toronto as an e-health strategy consultant. His operatric interests are eclectic but lean to the very early and very modern. He is also passionate about art song. His writings can be found in Opera Canada magazine and in his blog. He is owned by a small, grey cat called Jane.