The Bolshoi's Hero

Por Isabella Zijp, 03 agosto 2015

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“an innovative ballet, but one that is beset by the complexity of the story.”

Crítica hecha desde Bolshoi Theatre: New Stage, Moscú el 22 julio 2015

Hero of our Time (Yuri Possokhov)

Bolshoi Ballet

Anton Grishanin, Dirección

Kirill Serebrennikov, Dirección de escena

Artem Ovcharenko, Bailarín

Olga Smirnova, Bailarín

Ruslan Skvortsov, Bailarín

Igor Tsvirko, Bailarín

Ekaterina Shipulina, Bailarín

Svetlana Zakharova, Bailarín

Kristina Kretova, Bailarín

Lucía Lacarra y Matthew Golding nos acercan las distancias

Jorge Baeza Stanicic, 23rd January

Lucía Lacarra y Matthew Golding, también afectados por la separación forzada, proponían una unificación de coreografías preexistentes en un todo unitario para compartir su experiencia vital, fusionando sus movimientos con imágenes proyectadas en pantalla y con una selección musical de carácter íntimo y profundo.

*****

Atlanta Ballet shines in a mixed contemporary program

Rebecca Ehrhardt, 3rd April

Atlanta Ballet's Golden Hour program featured two world premieres and the Atlanta premiere of Christopher Wheeldon's Within the Golden Hour.

*****

A timely new Eugene Onegin opens the San Francisco Ballet season

Terez Rose, 23rd January

Yuri Possokhov’s reimagining of the classic based on Alexander Pushkin’s iconic 19th century novel, succeeds brilliantly in a masterful season opener and world premiere for the San Francisco Ballet.

****1

Fearless and theatrical: Tulsa Ballet visit Bonn for the first time

Vikki Jane Vile, 21st May

Tulsa Ballet has only toured internationally six times in their 70 year history. This year, they wrapped up in Bonn, the lucky city to host From Ballet to Broadway.

****1

The Australian Ballet celebrates 60 years with style and star turns!

Deborah Weiss, 6th August

The Australian Ballet's return to London's Royal Opera House after a 35 year absence, proves successful at every level.

****1

Slick but disjointed Anna Karenina premieres in Sydney

Chantal Nguyen, 5th April

Yuri Possokhov's Anna Karenina aims to be a dark psychological drama, but its uneven character development and unengaging choreography fail to satisfy.

***11

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Isabella Zijp

Isabella Zijp is a freelance dance writer and critic writing regularly for Bachtrack and other dance platforms. She shares her passion for ballet through writing, giving guided tours and conducting short presentations. In daily life she works as an editor and online marketeer while also writing about her other passion: travelling.

The Bolshoi's A Hero of Our Time: A modern take on a Russian classic