A detox for Hong Kong from Fleming and the HK Phil

Por Christopher Halls, 10 noviembre 2019

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Crítica hecha desde Hong Kong Cultural Centre: Concert Hall, Hong Kong el 8 noviembre 2019

Wagner, Tristan and Isolde: Prelude and Liebestod

Schubert, 3 songs for soprano and orchestra

Barber, Knoxville: Summer of 1915

Shostakovich, Sinfonía núm. 9 en mi bemol mayor, op. 70

Renée Fleming, Soprano

Jaap van Zweden, Dirección

Hong Kong Philharmonic Orchestra

Hong Kong Philharmonic offer precision and poise in Seoul

SangKwon Lee, 19th October

Two contemporary works pave the way for a big Tchaikovsky pairing at the Seoul Arts Center, with Yekwon Sunwoo joining the Hong Kong Philharmonic for the First Piano Concerto.

****1

Hong Kong Phil revels in Schoenberg’s beefed-up Brahms

Christopher Halls, 17th October

Led by celebrated Chinese conductor Long Yu, the Hong Kong Philharmonic shines in Schönberg’s bold Brahms “makeover” and features two of their own as soloists in a finely contoured performance of the Double Concerto

****1

A tokenistic Turandot in Hong Kong

Dr. Anton D. Luiten, 10th October

Veronika Dzhioeva presents a menacing Turandot in Opera Hong Kong's latest production which attempts to merge historical accuracy with the complexities of Orientalism.

***11

Alexandre Kantorow, cerise sur le gâteau d'anniversaire du HK Phil

Thibault d'Hauthuille, 28th February

Sous la direction taillée au cordeau de Jaap van Zweden, l'orchestre a proposé une interprétation exceptionnelle d'un superbe programme, avec Alexandre Kantorow en invité de marque.

*****

A triumphant return to Singapore by the Hong Kong Philharmonic

Chang Tou Liang, 20th February

On its 50th anniversary concert tour, the Hong Kong Philharmonic pulls out all stops in Singapore, joined by star French pianist Alexandre Kantorow.

*****

Lang Lang sparkles in Hong Kong Beethoven

Christopher Halls, 15th December

Star pianist Lang Lang delivers a drama-packed Beethoven concerto; Jaap van Zweden and the Hong Kong Phil impress in Copland's fanfare-filled Third Symphony.

****1

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Christopher Halls

Sparked by a keen interest in early performance practice whilst studying violin at universities in Melbourne and Vienna, Chris embarked on a freelance career with ensembles in Europe, America, also performing regularly with the Australian Brandenburg Orchestra back in his native homeland. Pragmatic and undeterred from continuing his journey after a serious accident abruptly ended his violinistic ambitions, he now shares his knowledge and insight into performance as a music critic, formerly writing for Vienna’s Wiener Zeitung and currently for the South China Morning Post in Hong Kong, where he also studies wine, his other great passion!

A detox for Hong Kong: soothing sensuality in Barber, brilliance in Shostakovich