Mendelssohn Choir shines in Pittsburgh Symphony’s choral program

Jeanine De Bique and Manfred Honeck

Por Sam Jacobson, 07 diciembre 2024

Descargando, espere, por favor...

Ver la programación

“one certainly felt spiritually warmed before leaving Heinz Hall into the cold December evening”

Crítica hecha desde Heinz Hall, Pittsburgh el 6 diciembre 2024

Esmail, RE|Member

Fauré, Cantique de Jean Racine, Op.11 (arr. Honeck)

Brahms, Schicksalslied (Song of Destiny) for Chorus and Orchestra, Op.54

Hailstork, Lachrymosa: 1919

Fauré, Requiem, Op.48

Jeanine De Bique, Soprano

Joshua Hopkins, Barítono

Mendelssohn Choir of Pittsburgh

Pittsburgh Symphony Orchestra

Manfred Honeck, Dirección

Artistry at full throttle: Rafael Payare and the Pittsburgh Symphony

Sam Jacobson, 10th April

Can one be artful and musical while playing at maximum volume? In a program of López, Prokofiev and Stravinsky, Rafael Payare and the Pittsburgh Symphony answer a resounding yes.

*****

Manfred Honeck and the Pittsburgh Symphony captivate in Bruckner

Sam Jacobson, 20th February

Honored by the Bruckner Society of America, Manfred Honeck conducts a majestic and architecturally assured account of Bruckner’s Eighth, paired with Samy Moussa’s evocative Adgilis Deda.

*****

Piquant Poulenc, solemn Sibelius at the Pittsburgh Symphony

Sam Jacobson, 16th January

Dima Slobodeniouk returns to Pittsburgh for works by Finnish composers, and the Jussen brothers delight with Poulenc.

****1

Honeck and Pittsburgh Symphony make a strong Shostakovich statement

No’a L. bat Miri, 3rd December

Carnegie Hall's visit from the Steel City's Symphony demonstrates a thoughtful ensemble's ability to make music speak clearly, even without words.

*****

Grimaud’s glittering Gershwin highlights Pittsburgh Symphony program

Sam Jacobson, 7th November

Domingo Hindoyan’s Pittsburgh Symphony debuts spans sharp contrasts from Gershwin’s piano concerto to Franck’s symphony.

***11

Dalia Stasevska makes a radiant Pittsburgh Symphony debut

Sam Jacobson, 17th October

Familiar and unfamiliar Sibelius, a coruscating violin concerto and a recent score by Caroline Shaw are the elements of Dalia Stasevska’s noteworthy debut.

****1

Más críticas...

Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.

Mendelssohn Choir shines in Pittsburgh Symphony’s mostly choral program