Mendelssohn Choir shines in Pittsburgh Symphony’s choral program

Jeanine De Bique and Manfred Honeck

Par Sam Jacobson, 07 décembre 2024

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“one certainly felt spiritually warmed before leaving Heinz Hall into the cold December evening”

Critique faite à Heinz Hall, Pittsburgh, le 6 décembre 2024

Esmail, RE|Member

Fauré, Cantique de Jean Racine, Op.11 (arr. Honeck)

Brahms, Schicksalslied (Chant du destin) pour chœur et orchestre, Op.54

Hailstork, Lachrymosa: 1919

Fauré, Requiem, Op.48

Jeanine De Bique, Soprano

Joshua Hopkins, Baryton

Mendelssohn Choir of Pittsburgh

Pittsburgh Symphony Orchestra

Manfred Honeck, Direction

Artistry at full throttle: Rafael Payare and the Pittsburgh Symphony

Sam Jacobson, 10th April

Can one be artful and musical while playing at maximum volume? In a program of López, Prokofiev and Stravinsky, Rafael Payare and the Pittsburgh Symphony answer a resounding yes.

*****

Manfred Honeck and the Pittsburgh Symphony captivate in Bruckner

Sam Jacobson, 20th February

Honored by the Bruckner Society of America, Manfred Honeck conducts a majestic and architecturally assured account of Bruckner’s Eighth, paired with Samy Moussa’s evocative Adgilis Deda.

*****

Piquant Poulenc, solemn Sibelius at the Pittsburgh Symphony

Sam Jacobson, 16th January

Dima Slobodeniouk returns to Pittsburgh for works by Finnish composers, and the Jussen brothers delight with Poulenc.

****1

Honeck and Pittsburgh Symphony make a strong Shostakovich statement

No’a L. bat Miri, 3rd December

Carnegie Hall's visit from the Steel City's Symphony demonstrates a thoughtful ensemble's ability to make music speak clearly, even without words.

*****

Grimaud’s glittering Gershwin highlights Pittsburgh Symphony program

Sam Jacobson, 7th November

Domingo Hindoyan’s Pittsburgh Symphony debuts spans sharp contrasts from Gershwin’s piano concerto to Franck’s symphony.

***11

Dalia Stasevska makes a radiant Pittsburgh Symphony debut

Sam Jacobson, 17th October

Familiar and unfamiliar Sibelius, a coruscating violin concerto and a recent score by Caroline Shaw are the elements of Dalia Stasevska’s noteworthy debut.

****1

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.

Mendelssohn Choir shines in Pittsburgh Symphony’s mostly choral program