Lyricism and drama from Dueñas, Honeck and the New York Philharmonic

Manfred Honeck and María Dueñas

Manfred Honeck conducts the New York Philharmonic

Por Susan Stempleski, 31 enero 2026

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“displayed total technical mastery, poetic sensitivity and a distinctive creative voice”

Crítica hecha desde Lincoln Center: Wu Tsai Theater, David Geffen Hall, Nueva York el 29 enero 2026

Beethoven, Concierto para violín en re mayor, op. 61

von Vecsey, Valse triste

Strauss R., Elektra: Symphonic Rhapsody (arr. M. Honeck; orch. T. Ille)

María Dueñas, Violín

New York Philharmonic

Manfred Honeck, Dirección

A vocally perplexing economics assignment from David Lang

No’a L. bat Miri, 19th March

The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.

***11

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Contours in motion: Kavakos and Rouvali at the New York Philharmonic

Edward Sava-Segal, 20th February

Bartók and Rachmaninov are shaped through rhythmic precision and structural concentration in the New York Philharmonic's latest subscription concert.

****1

Thomas Adès and Yuja Wang offer contemporary works at the NY Phil

Sam Jacobson, 23rd January

Yuja Wang returns to the New York Philharmonic with Rautavaara’s dazzling First Piano Concerto in a probing program curated and conducted by Thomas Adès.

****1

Tradition and modernity: Bronfman and Zhang shine in New York

Susan Stempleski, 15th January

Xian Zhang returns to the Philharmonic to lead a program pairing two 19th-century Romantic works with a 21st-century tone poem.

****1

Noseda and the NY Philharmonic play exhilarating Shostakovich Four

David Wolfson, 7th January

Gianandrea Noseda conducts the New York Philharmonic in a lovingly crafted, exhilarating rendition of Shostakovich’s gargantuan Fourth Symphony.

****1

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Susan Stempleski

Based in New York City, Susan is a retired specialist in second and foreign language teaching and the author/editor of several professional books for language teachers and many widely used textbooks for English language learners around the world. An avid concertgoer, she spends her time attending operas and other classical music events in New York and Paris. Since 2002, she has regularly published reviews on Classical Source. A keen Francophile, she has a particularly strong interest in French music, literature and film.

Lyricism and drama from Maria Dueñas, Manfred Honeck and the New York Philharmonic