Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Concierto para violín en re mayor, Op.61

Acompañada por la Philharmonique du Luxembourg y su director titular, Gustavo Gimeno, la violinista Vilde Frang cautivó con una ejecución sublime del Concierto en re mayor, de Beethoven. El programa se completó con la Quinta sinfonía de Tchaikovsky.

El carácter pasional de Beethoven y el lirismo de Brahms, ambos de una expresividad entusiasta exacerbada, protagonizaron la innovadora visión sobre la interpretación de David Grimal, que trasladó la experiencia de su proyecto de orquesta sin director al programa que en esta ocasión ofreció la Orquesta Sinfónica de Galicia.

Arranca la sexta edición de La Filarmónica. Se renueva y se demuestra el compromiso a partir de la fiabilidad y la calidad bullente; un cóctel que la melomanía ha de festejar. 

Primera actuación de la temporada del Coro Nacional de España que junto a la Orquesta ofrecieron una memorable versión del Requiem de Fauré. Completaba el programa el concierto de Beethoven con Zimmermann como solista intachable en una interesante conjunción con la orquesta.

En enero de este año, después de varias temporadas sin director, la Filarmónica de la UNAM nombró director artístico al violinista Massimo Quarta. En este concierto, el tercero de los cuatro que dirige en  su primera temporada como titular, nos ofreció el concierto para violín de Beethoven en el doble papel de solista y director, y la monumental novena sinfonía de Schubert.

Tras un tempestuoso preludio se desarrolló un concierto dedicado a Beethoven en el que el violinista Klaidi Sahatci desplegó su virtuosismo y el director Günter Herbig dirigió con acierto la OFGC en la Sinfonía 'Heroica'

Conductor Yannick Nézet-Séguin’s recent debut with the Lucerne Festival Orchestra was a dazzling Beethoven-Shostakovich programme that epitomised the “power of music”.

Denève and the Brussels Philharmonic launched into Guillaume Connesson’s Flammenschrift with enough excitement and energy to illuminate the whole city.

A memorable evening: LSO horns on tremendous form with Sir John Eliot Gardiner on the podium and Isabelle Faust in stellar performance.

Après une palpitante interprétation du concerto de Beethoven et de la Symphonie n° 1 de Mahler, Isabelle Faust, Daniel Harding et l'Orchestre de Paris triomphent à la Philharmonie.

A pair of masterpieces in the Australian Chamber Orchestra's latest programme, in typically thought-provoking interpretations. 

Robin Ticciati and the DSO bring a strong sense of purpose to Rachmaninov's Second Symphony and Christian Tetzlaff explores the extremes of Beethoven's Violin Concerto. 

Retour sur la grande finale « concerto » du Concours Long-Thibaud, vendredi et samedi à la Maison de la Radio : six jeunes violonistes aux talents aussi grands que variés ont fait honneur au grand répertoire.

Attentive to the dynamics and tempi, Frang meshed her violin with the orchestra, naturally coming into the footlights or receding into an accompanying role when required. In effect, the performance had a feel of an improvisation.

In a terrific performance under Manfred Honeck, the German violinist brings down the house with Beethoven's Violin Concerto. 

Salonen's tribute to Gehry, Yasuhisa Toyota and Deborah Borda seems to come more from his brilliant visual palette than his emotional heart. 

In her first collaboration with the OAE, Nicola Benedetti brought exquisite tone – and a new cadenza – to Beethoven's Violin Concerto. 

Une figure montante de la direction d’orchestre, Krzysztof Urbański, et un très jeune violoniste de seize ans à peine, Daniel Lozakovitch. Une affiche alléchante qui a tenu en grande partie ses promesses.

A sumptuous, elegant rendition of Beethoven's Violin Concerto by Nikolaj Znaider, while exchanging violin for baton, Znaider conducts the NSO in a fascinating rendition of Shostakovich's Symphony no. 5.

The Concertgebouw's distinctive sound has remained intact. Ripe lower strings meld with limpid winds and sculpted horns emerge slowly into the foreground all gleaming and glistening.

Trevor Pinnock und das Basler Kammerorchester begannen beide Konzerthälften des Reforamtionskonzerts mit einem Rückbezug auf Bach. Dazu spielte Vilde Frang Beethovens Violionkonzert.

Ehnes excels in Beethoven, and Gardner draws lovely tone from the RNSO.

Four years ago, the ACO mounted The Reef. Mountain is clearly its successor: another film project involving scenes of nature peopled by extreme-sports enthusiasts, screened while an eclectic soundtrack is played live by the orchestra.

Although Beethoven was none too fond of despots, self-proclaimed emperors, or religious intuitions, one can image his approbation for Justinian’s stupendous Hagia Eirene basilica as a perfect venue for his music. 

Mason Bates' Symphony Liquid Interface takes over the stage in Washington DC. 

Daniel Barenboim und Anne-Sophie Mutter zeigen sich mit der Staatskapelle Berlin als perfektes Musiker-Paar.

Fabio Luisi and the DNSO did not disappoint audiences in San Francisco, presenting a captivating program of Beethoven, Strauss and Nielsen.

Julian Rachlin as soloist and conductor combines Beethoven's violin concerto and Third Symphony into one long story, told with great clarity by Royal Northern Sinfonia.

Le coup d’envoi des Sommets Musicaux de Gstaad 2017 est donné avec éclat : un programme Beethoven alléchant et ambitieux, le Concerto pour violon et la Symphonie n° 5, exécuté par des interprètes exceptionnels, Gil Shaham et l’orchestre Les Siècles dirigé par François-Xavier Roth

A startling new work from Jörg Widmann follows disciplined Beethoven at the Philharmonie. 

Nicola Benedetti on astonishing form with Beethoven’s Violin Concerto with the Scottish Chamber Orchestra in Edinburgh.

Mit der Musik Beethovens malte Joshua Bell zusammen mit der Academy of St Martin in the Fields farbenreiche Landschaften und Geschichten in die Vorstellung des Düsseldorfer Publikums.

Conductor Iván Fischer and violinist Nikolaj Znaider inject new life into works rendered banal by featuring in programmes too often.

Das Konzert markierte die Residenzeröffnung der Deutschen Kammerphilharmonie Bremen, diesmal noch in der Laeiszhalle, zusammen mit ihrem Partner Christian Tetzlaff. 

The Bamberg Symphony and Akiko Suwanai's delivery of arguably one of the most challenging and beautiful violin masterpieces was simply ecstatic. 

The Tokyo Symphony gave the Japanese première of Shostakovich's Tenth in 1954, less than a year after its first performance in Leningrad. Jonathan Nott’s approach could scarcely have been more different. 

A polished and deeply moving Beethoven Violin Concerto from Nikolaj Znaider was complemented by exquisite and vibrant performances of Max Reger and Richard Strauss from the Staatskapelle Dresden.

Riccardo Muti presented a serene program of Beethoven's Violin Concerto, with Julia Fischer, and Brahms’ Serenade no. 1.

L’orchestre de la Suisse Romande en très grande formation aura offert une vaste gamme de couleurs, dans un musique penchant plus dans la jubilation du grand son que dans la recherche de nuances. Un beau moment tout de même.

Konzerte mit historischer Aufführungspraxis sind in München selten. Da freut es umso mehr, dass Philippe Herreweghe mit dem Orchestre des Champs-Élysées in der Philharmonie zu Gast ist.

La rencontre entre Beethoven et Azagra était permise par l’entremise de Bartok, troisième compositeur convoqué pour cette soirée diffusée sur France Musique.

Beethoven truly celebrated in Sydney, as another symphony cycle progresses. 

Beethoven retrouve l’Elysée, Isabelle Faust parmi les âmes apaisées, peu héroïque, suivant un Herreweghe plus subtil qu’inquiétant.

Christoph Eschenbach returned to the Concertgebouw with another smashing success, leading the London Philharmonic Orchestra in a programme of Beethoven, Brahms, and Rihm.

Ludovic Morlot guest-conducts the Los Angeles Philharmonic in a life-affirming programme pairing classic Beethoven with a contemporary masterpiece by John Luther Adams.

Benedikt Zacher berichtet vom Konzert des Münchener Kammerorchesters, das zusammen mit Isabelle Faust mit gewohnt abwechslungsreichen Programm und einer pulsierenden Uraufführung von Fennessys Hirta Rounds aufwartete.

Sunday night's concert saw the LSO on top form, however their partnerships with Christian Tetzlaff and LSO Chorus on either side of the interval produced mixed results. 

Gerd Schaller and the Philharmonie Festiva re-evaluate Bruckner's “Zero” in a first-rate performance, following a somewhat lacklustre Beethoven Violin Concerto from Ingolf Turban.

This concert, in a nifty piece of skilful programming, comprised a Beethoven sandwich, with Penderecki’s Fourth Symphony as the filling, both composers who clearly enjoy pushing the boundaries of classical form.

Die Klarheit des vibratolosen Tons schärft das Ohr des Zuhörers, lässt ihn das Leuchten reiner Intervalle erst richtig erfahren — und Isabelle Faust begeistert so mit reinem Beethoven.