Hubbard Street Dance Chicago on the road, dancing impeccably

Jacqueline Burnett, Jack Henderson and David Schultz in Johan Inger's Impasse

Hubbard Street Dance Chicago in Johan Inger's Impasse

Michele Dooley, Jaqueline Burnett and Aaron Choate in Into Being by FLOCK

Shota Miyoshi and Cyrie Topete in Aszure Barton's A Duo

Por Carla Escoda, 27 marzo 2025

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“layered costumes and ghostly lighting were all of a piece with this strange and exhilarating concept”

Crítica hecha desde Joyce Theater, Nueva York el 25 marzo 2025

Black Milk (Ohad Naharin)

Into Being (Flock)

A Duo (Aszure Barton)

Impasse (Johan Inger)

Hubbard Street Dance Chicago

Bregje van Balen, Diseño de vestuario

Tom Visser, Diseño de iluminación

Sublime Last Work de Naharin, par le Ballet de l’Opéra de Lyon

Laurine Mortha, 14th May

Créé en 2015, le chef-d'œuvre d'Ohad Naharin était présenté seulement pour la seconde fois à Paris, à La Villette, pour une nouvelle démonstration du génie artistique du chorégraphe israélien.

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Batsheva Dance Company in Ohad Naharin’s Momo: pure energy

Katja Vaghi, 16th January

In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.

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Opera Ballet Vlaanderen: how to win over an audience

Deborah Weiss, 13th December

Two very diverse works that complement each other and show off the depth of talent within Opera Ballet Vlaanderen.

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Flickers of human fragility: Staatsballett Berlin’s superb double bill

Katja Vaghi, 28th October

Dancers as athletic poets: Staatsballett Berlin in Ohad Naharin’s Minus 16 and Sharon Eyal and Gai Behar’s Saaba.

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Bewegender schwereloser Rausch: NDT1 mit Naharins The Hole in Den Haag

Michael Klier, 22nd June

Ein ungemein intimer und enervierender Tanzabend wird zum krönenden Saisonabschluss.

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Le contrepoint génial de MOMO, nouvelle création d’Ohad Naharin

Laurine Mortha, 26th May

Avec sa nouvelle pièce MOMO, le chorégraphe israélien Ohad Naharin met en scène l’ambivalence des hommes et de la violence dans un mouvement aussi épuré que génial.

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Carla Escoda

Born in the Philippines, Carla trained as a ballet and modern dancer with the Alice Reyes Dance Company in Manila. She has lived and worked in Asia and the U.S. and has written about the arts for Bachtrack, KQED (the northern California public media broadcaster), Dance International, dance journal/hk, the Huffington Post, Dance Europe and ballettothepeople.