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Hubbard Street Dance Chicago on the road, dancing impeccably
A mixed bill with mixed results from Hubbard Street Dance Chicago at the Joyce Theater in New York.
Batsheva Dance Company in Ohad Naharin’s Momo: pure energy
In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.
Opera Ballet Vlaanderen: how to win over an audience
Two very diverse works that complement each other and show off the depth of talent within Opera Ballet Vlaanderen.
Flickers of human fragility: Staatsballett Berlin’s superb double bill
Dancers as athletic poets: Staatsballett Berlin in Ohad Naharin’s Minus 16 and Sharon Eyal and Gai Behar’s Saaba.
Batsheva Dance Company: Hora swaggers with tenacity and confidence
Naharin’s Gaga technique is this delicious, ooey-gooey, melting morass where sensation rather than skill guides the phrases
Go Gaga for Ohad Naharin's Decadance in Sydney
Sydney Dance Company excels in Decadance, a rare chance for Australian audiences to see work by Ohad Naharin, founder of the Gaga method.