+/- Human, Wayne McGregor

Por Erin Whitcroft, 14 agosto 2017

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“McGregor ... follows in the footsteps of Bauhaus Ballet”

Crítica hecha desde The Roundhouse, Londres el 11 agosto 2017

+ / - Human (Sir Wayne McGregor)

Company Wayne McGregor

Edward Watson, Bailarín

Daniela Neugebauer, Bailarín

Dancers of the Royal Ballet

Fukiko Takase, Bailarín

Autobiography de un cuerpo sin rostro por Company Wayne McGregor

Cintia Borges Carreras, 7th December

El algoritmo matemático de Autobiography descodifica cuerpos, fragmenta la memoria y altera el equilibrio emocional a través de un montaje atlético y un paisaje lumínico con narrativa propia.

****1

The Royal Ballet and McGregor: stunning dancing but nothing really new

Deborah Weiss, 18th April

An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.

***11

Woolf Works for The Royal Ballet: reaching poetic depths

Maggie Foyer, 17th January

Woolf Works returns to Royal Opera House stage showcasing some of Wayne McGregor’s best choreography and a roster of exceptional performances.

****1

Ballet superstars in Frankfurt for a night to savour

Vikki Jane Vile, 30th November

For one night only, audiences in Frankfurt were treated to some world class ballet on the expansive stage of the Jahrhunderthalle.

****1

Wayne McGregor’s Jocasta’s Line offers powerful performances

Maggie Foyer, 13th September

A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

****1

Un passionnant panorama de la danse contemporaine à Bordeaux

Julie Jozwiak, 10th April

Temps fort de la saison du Ballet de l'Opéra National de Bordeaux, la soirée « Quatre tendances » associe cette année deux créations de Wiest et Casquilho et deux œuvres cultes de McGregor et León & Lighfoot.

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Erin Whitcroft

Erin is a professionally trained ballet dancer having moved from the United States as a teenager to train at The Royal Ballet’s lower and upper schools. Since her performance career ended she has continued to research the history of dance and has post-graduate qualifications in both English and Education. Erin regularly presents papers at academic conferences and is a freelance critic specialising in dance, books and art.

Wayne McGregor, +/- Human